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WINTER 1993
Vol. VI, No. 1
AUTHENTICITY AND
UAL TY SINCE 1936
A newsletter published by the Colonial Williamsburg Foundation for its Licensed Manufacturers and Williamsburg Shops
Ma
ost oColonial
the
1n
Williamsburg
OLONIAL
r
1
is
Williams-
three cases of Reproductis
Program
in thirty
catalogs
engaging
said Gail Burger,
minutes!"
place to visit. We have
all been charmed byroduct m.ana er. We su
est
burg
i;
an
furnishin g s
the homes, g ardens
and
v
of this
ambience
uidebook
the official
jimi
Wili
gil
hamsbur Re
roductions
,,,,,, .
vx, ,,,-::
ro-
- .=_ :
ear\.
ill -_:_
historic
rip-VS -
lace— that
is wh
I
we
facture and pro-
a= -____ _
Williams-
mote
bur
B ut do
t i o n s!
enthusiasm
Re
rakef
du c
ro
for this
lace.
There
are
take
a
e a dv a nt s
Yg
ways
a
a
many
Y
ram
wecan
e
of
the" Williamsburgconnection.
and
in
the
Management
s
p
Shops
know,
offices
so
about s p ecial p
and dinin g o pp ortunities
g
programs
can be secured for
you. If you have dealto
ers or customers
a
block
are
valid
buy
entertain,
of tickets at a discount." Tickets
ment Office
or order
ti.
tw
\., ;. ;,,
Williamsburg'
locations,"
22s0- 7649
804)
said Phyllis
manager. "
for
counts."
tickets
Having
it easy to reward
sales
by
volume
on
hand
instantly
employees
or
at
dis-
makes
important
customers
large purchases of
make
me
information
more
special prices for
about
Terrell,
Just call
who
Williamsburg
Use Costumes/ Actors
Jess
Behringer,
the WilliamsburgShops p p rothat Y ou borg ram, suggests
gg
row
costumes
tea,
z
for your speFor $ 50 and with
cial promotions. "
thirty days' notice,
our
we
can
arrange
the
Another
idea from
interpreter
cent
Williamsburg publi-
Schumacher program,
At
we
a
re-
sold
can
see
him
in
Colonial
each week.
of the eighteenth century to Shop openings where the new line of Baker Furni-
Schumacher
ture
was
Fletcher
introduced. You
through the
can
contact
Williamsburg
Use Speakers
showrooms. "
country. You
century decorative arts and decorating
with Williamsburg products. " Her in-
Use Published Materials
in your
the
Williamsburg' s Greenhow Store several afternoons
Ryan Fletcher, who portrays
eighteenth- century Williamsburg merchant John Greenhow, attend your program. Fletcher recently brought a touch
Shops Office at( 804) 220- 7496.
Use Colonial
Cen-
u
Ryan Fletcher has portrayed eighteenth- century merchant John Greenhow in Baker Furniture showrooms
across
Costume Design
ter," said Behringer.
i.
s
director of
Reproductions.
cations
is,
22 0
- 77 5 1.
the Shops Program is to have costumed
ticket informa-
s
01;
bM
rin
callingMarina
Colonial
group
V
1,4:\,, ,,,lor,,,,,:,,
p ublic
C o 1 o ni a 1 Wil
bons through
g
loan with
sales
S \\
S' F,',
year, beginning when the ticket
holders have them validated a.t one of
one
tion
7 ,
e
interest in the romance of
ers
orA
that tickets and information
for
V ,\
on
Williamsburgtopiquecustom
A s h to n at( 80 4
)
g to town, let some-
comin
Product
Williamsburg
Window
liamsburg' s Wholesale Sales
Williamsburg
If youare
one
il .,
ubli-
smaller
like A
cations
Department
Visit
Williamsbur
catalogs,
cookbooks
ted that
or
a
granted
gg•
Williamsburg. For more ideas,
h r
n
t t h o Pr oduct Ma n a e
and dealers sharee
ourcontact
we-
m
customers
s
our
manu-
Liza Gusler, Colonial
formative programs and soft southern
in
have charmed audiences
style
showrooms
this fall," said
Thomas Burak, Schumacher vice president/ design director. " Liza has given
on ' Williamsour
year- long emphasis
burg Today' the extra punch we were
hoping for. She got customers and sales
representatives alike excited about the
Williams-
has preconsulting curator,
sented many lectures on eighteenth-
products."
burgs
continued
on
back page)
�zige//1?Ai
AUTHENTICITY
AND
SINCE 1936
QUALITY
WilliamsburgD
to Take Another Look
Asks
Product
a
called
Management
gether designers from
censed manufacturing
historical
to-
of the li-
some
in the world
in
companies
product development " brainstorm-
ing"
this fall. Designers
session
inundated with images
tion and
look at
ative
urged to take
were
vast
our
arts
Charles
new"
another
Reproductions
Program,
for the two- day
conference,
made
main-
a
variety of media,
designs on ceramics,
Showing
rics.
prints, and fabof one beautiful
slides
object after another, she made the point
development of the British East India
that there are new product opportuni-
caused the English to branch
Company,
re-
such as botanical
in
buildup of the British navy,
the restoration
of Charles II, and the
ideas.
manager,
Williamsburg that are firmly
grounded in the place. She emphasized the use of recurring period motifs
the
as
product
nial
from
events,
Burger,
inforced the use of designs from Colo-
design
Design
but seventeenth- century
such
prodWilliamsburg
for the
that
Gail
cen-
vigor
England had been out of the
stream,
director of
Driscoll,
uct marketing
situation
was
has stood the test of time."
period
our
of decor-
collection
for"
objects
were
There
style.
said Gusler. "
vigorous,"
and informa-
of the eighteenth
events
that affected
tury
ties to be explored
in
the details of
set the tone
held Octo-
ber 26 and 27,
c
t
designers
f
'%
G
by inviting
currentlyinvolved in product development projects to look at the possibilities. " This
can
place is rich in images
stimulate
the
that
1-
i,,,;/
said
ination
ima
y
Driscoll. " We have
a lot to do and
you
are the ones who can make it happen.
s
%' '''
y
A
9
As
we
with this
continue
conference,
i
y.
think about how you can translate
rodand designs into
these objects
5
"6
f
for today' s consumers."
Graham Hood, Colonial Williams-
y'
ucts
g
h
f':
z','.
S
rk\*,,
M:
burg'
chief
s
presented
curator,
framework for thinkin
about ei
h-
teenth- and nineteenth- century obof connois1 ects within the " rules"
seurship,
as
11,4liz,,,,,,,,,
a
,!
dot. `
l
,
it
r
f
r
f
tiiw
/,
,
i 1
f
j/ t
___
I,:
g
stated
century author
his Discourses.
3
by eighteenthJoseph Richardson in
j ;'
.
x ;
ljjj
t,£
Hood discussed the
t r /
t,,,,,
s
for analyzing the
steps
aesthetic
value
i
of objects and the questions the con-
IVie,„,
should ask to determine worth
noisseur
What does the object say? Is
the form doing what you would ex-
and
1:cir-,...
i
afg
value.
pect?
there too much
Is
decoration? Is the
color
tiful? Is the material
or
too little
bold and beau-
Having
proach
a sense
of all that is integral to
you understand how to apthem for the
and appreciate
qualities they do
what you see and
or
don' t have.
knowing
Seeing
what you
see
Gusler,
consulting
textiles study- storage with Linda Baumgarten.
out and
taste the art and
low these
events
culture
of
curator,
provided" visual delights" as she discussed looking at the Colonial Williamsburg collection as a design resource. "
We have to keep in mind the
teenth- century fascination with the ex-
King
example,
otic.
and Queen Mary brought" tuwith them from Holland.
mania"
on
tourists' observations of the
in France.
Excavations
at Pompeii
and Herculaneum
brought about
newed interest
urns,
and
other
in
classical
ovals,
shapes.
a re-
swags,
Burak,
Thomas
vice president/ de-
sign director for Schumacher, summed
The popularity of the Grand Tour influ-
arts
in surface designs, in
and the development
objects
William
based
colors,
textures, in patterns, and in the eigh-
of motifs and forms. For
lip
in
objects,
to fol-
lands. Gusler used
other
enced frolicsome, asymmetrical designs
is what it is all about."
Liza
vase),
What
appropriate?
do you know about the craftsman, his
tools, and his time period? Hood said,
objects,
During Design Williamsburg, representatives from licensed manufacturing companies enjoyed curatorial tours
of the Wallace Gallery' s masterworks gallery with Liza Gusler( seen here explaining Josiah Wedgwood' s Portland
of the natural history exhibit with Margaret Pritchard, of ceramics study-storage with Rob Hunter, and of
up
"
by
new"
color
are
urging designers to look for
ideas in" old" designs. He used
as
no "
an
example,
new"
colors. "
stating that there
We use them in
new combinations and values to make
them current. We need to look beyond
the
obvious,"
said Burak, "
since
we
�9110,
e1144`.®
AUTHENTICITY
have
an
to be influential in
obligation
the decorative arts toda Y.
Before the designers toured the
to the
addition
feller Folk
Abby
Art
new
Aldrich Rocke-
Center,
Period
about the
art
collection
of the
some
ofworking with folk
She explained that the tex-
is growing fast. The visually
area
exciting solid colors and patterning of
folk art textiles, like quilts, present many
product development opportunities.
Tours of the Dewitt Wallace Decorative Arts
Gallery,
object
storage
areas,
and the Governor' s Palace rounded out
the
We will
conference."
assess
the
use-
fulness and practicality of this type of
meeting and, hopefully, plan other,
focused sessions in the future so
more
more
licensees
Burger,
product
planner."
tion and
back
so
can
attend,"
manager
said Gail
and program
I was excited by the informaexchange
Reminds
KK
Carolyn
aspects
objects.
tile
and
Lighting
of ideas. The feed-
far has been overwhelmingly
positive!"
When
I
Period
saw
Lighting' s booth at a historic
architectural products show
a
i
four y ears
in Philadelphia
p
til
o, I knew
theywere the
g4.
kind of
manufacturer
we
7.. , .,....,.:
I
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T:,,,:,,,,:.,,..,,
i,,.„:„,,.,.,::,.:,..,,..::.,,,,, . ,,:::.....„.,.:..:,,.,.:„,,,,,,,.,,.:,,:,:,,.::,,,,.,,.:,,,,,...,:,,:::::„..,...::..,:::::::::::...::::,...:.::::„.::•,..:...:
i.,...„.,.,,,:
i.,:.,.,:i,..,,:.,:,,,,,:,,,,,::::,,,,,:,,:,,.„,,.,,.,.,..,,.
, , . .,. ;:
have always
y believed to be
at the heart of our museum
V
reproductions
program,"
said Charles Driscoll, Colonial
Wil-
director of product marliamsburg'
Period
keting. "
Lighting' s products
s
re- created with eighteenth- century objects. There was great interest in the
handcrafted objects our forefathers had
understanding of the rules of
design and proportion from the eigh-
lived with and used. This interest
teenth century. When I finally met Ed
and Richard Scofield I knew they shared
ductions Program. Manufacturers who
show
the
an
values
of the
Williamsburg
Repro-
was
the genesis of the Williamsburg Reproexemplified the same desire to produce
quality goods according to time- hon-
ductions Program and its licensees and
ored methods were sought out as the
believed in the value of handmade
first licensees. This selection
prod-
Colonial
When
houses,
shops,
than
more
process
continues today.
ucts."
first
Williamsburg
opened its restored and reconstructed
fifty
and public buildings
years
ago,
interiors
were
i
After several meetings, Ed and Richand decided to accept the
11
of
knew it
They
becoming
would not be easy to meet the high
standards
set by Colonial Williamsburg, but they were up to the challenge.
sconce
P. , :
challenge
licensee.
a
We went back andforth on the first
t
it
i
SINCE 1936
QUALITY
US of Our Past
Weekley, the Center' s director, talked
exciting
AND
i ,, , ,,
i
reproduced
we
for Colonial
Williamsburg," said Richard, Period
" But I
g
Lighting' s director of design.
il'''•
developed
1°
1 liki.
L' .,::...
iiii'l', : .„:,. ,„:, :„. A..,,,,,;!:
: 4'.',;.
3ii,',,:, '..\„..-,,':.
1--,;;,.
2„...--,;;;.
i';',
i.: .
I:,..,,
Allfill.::..
an
understanding of the
Products Review Committee' s desire
for a visually pleasing result. They look
i
HI
4
; •••,*
at everything
They
would
x
n
a
place,
s
a
seem
eightee
Once
the
with eyes from the past.
look at
an
object
and ask if it
out of place to a citizen of
t h- century
working
Williamsburg.";,?,
relationship
was
in
Period Lighting
igh ing sailedthrough
product development process with
five
more
sconces,
a
chandelier,
and a
hand lantern. Several more items are in
i.
the works.
.
All
our
fixtures are handmade,"
said Ed, Period
dent,"
Lighting Fixtures' presifrom the drip on the wax- coated
candle covers to the hand- forged suspension hook that conceals the wires.
We often use the same hand tools as the
tools of his trade, carefully handcrafts
chandelier in his Chester,
Scofield, surrounded
by the
Connecticut, workshop. The Cole Chandelier was the first wood- turned chandelier Period Lighting reproduced for
Richard
Colonial
antique
Williamsburg.
a
original craftsman, and no two fixtures
will
ever
be exactly the
same."
Period
�ei
o
R
ild
AUTHENTICITY
AND
SINCE
QUALITY
1936
New Pieces Added to
a
,
Duke of Gloucester
e\
u1/4h
CCU \,
Pattern
t:'
\
\
yz
\
1,>' ,
a
2
A
1R,^
aSB^
A shell dish, a pitcher,
and
xs:>
soup bowls,
rim
tp
aAie
ia3 FSg'
iav
o: c,:
Ks`
Y>'?)>
F. v:
tsXhw+
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iN' L
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p,
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calnk
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n
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v
$
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.=
42» <=
K¢ S,} 1fA
a
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tt
151,,,,,
nicr.
Ar
N•h
Y. a>
Y. E
Li3•at
Bus
yy
tait+ R•!
3t
ss
tureen and stand have been added
a
JQTS. •.
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QA
I
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u
t
)}
y
I.
aa
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t
L\
S,{
J
f
f
t, .}'
i
i
.,•
a
h
to the Duke of Gloucester dinnerware
w,
g
original dinner
tion. The
L
ux}
a
x<s`
ems\
bra
and butterflies
nineteen
3 \
K
tx
was
t
R
44
I
_
sF
a1
t
V
t;
7
,
N
y
gold. TheTA
7-
shape of the tureen and stand are based
on
tureen and
Worcester
a
r.
h,
0%,
illustrated in
and 22kt mat
colors
is\,.;
Y`\
hft
and accessories feature naturalistic fruit
clusters
CSC\\\
ac'.'".
a
the original, the dinnerware
Like
c
\
a
h
Duke of Gloucester.
Henry,
S,
William
by
xu^
c.<
s,,,
xt
n3,
rA,
collec-
service
commissioned about 1770
k
z '
t
K,
aa`-
plat-
a
.
w
t:
pattern byMottahedeh, based on
ter in the Colonial Williamsburg
t ,
stand at
u
Colonial Williamsburg. The tureen has
a handsomely gadrooned border, shell
stand is
Mottahedeh' s Duke of Gloucester pattern works well with a variety of linens, serving dishes, and decorations, as
and flower-bud knob. The
handles,
presented in magazine editorials and advertisements.
separately for use as
available
a platter.
The Duke of Gloucester
been lauded
as
pattern has
Accents, Bride' s, Architectural Digest,
the most exciting din-
and New Yorker
pattern introduced this year.
nerware
Because it is
unlike
anything
on
versa-
Products Staff News
feature of the pattern. The variety of
bright colors allows a number of looks
the
market, it has received many editorial
in magazines,
and advertisementions
to be created with table linens and
for it have appeared in Southern
ments
Its
magazines.
tility has been noted as an important
other
ceramics.
Gusler, consulting
Liza
curator,
is
assisting product management on
part- time basis. Many licensed manu-
now
a
facturers and Williamsburg Shops representatives
tured
fashions handwrought
Lighting
apart
struts
for support and added strength. All
edges
are
prevent
hemmed for
are
arms
with lobed designs,
each
g
is
added byhammeringon
Bobeches
arms,
are
never
place with
are
visible,
soldered
threaded
on
or
lead
Richard invites
room
and
chandelier
in
restoration
and every attempt is
made
projects,"
The ability to
sensitive
disappearing
recognize
elements
and
sets
pleased
precisely.
and repro-
Chester, Connecti-
professionals on special
said Scofield. " I would be
to work with you
or
on
electrical
any
spe-
modifica-
tions to help you satisfy your custom-
Lighting
T•.
shopin
cial questions
of design is fast
Period
in 1992.
lec-
stores
and
show-
The product manage-
m.ent staff looks forward to more excitin.g
opportunities,
like Design
Wi l-
liamsburg, to use Liza' s expertise to
develop more and better Williamsburg
Reproductions.
WilliamsburgShopSpecial
cut. " We are used to working with ardesigners, decorators, and
chitects,
wires
appearances
she
decorating with Williamsburg
Reproductions in
rooms
when
Thanks to
owners and managers to visit his show-
are
cake.
pressed
said
Classics
fittings. No
modern
to copy outward
duce
a
Program,"
met Liza
Rockefeller Folk Art Center."
petal
hand- cut. Curvature and depth
are
rugs, Stulb
paints, pottery,
the variety of new prodand
bedding,
from the Abby Aldrich
ucts
available
can
from the inside securely fasten the
of a chandelier to the turning. On
sconces
We
Driscoll." The products work well with
D. R. Dimes furniture, Claire' s Ameri-
soldered the full
mating
length of every seam, never just tacked
lagged
in place. Hand- formed rivets
over
makers. "
pleased
burg Reproductions
the encroachment of rust. All
surfaces
other
to have them in the Williams-
and to
stiffness
from
on
ers'
yam,-
x.+ - ..,-,--.,.......
...._._.._.
needs."
lVlarhn Senour!
A special thank
you goes to Martin
Senour for their donation of paint for
the exhibition halls of the new addition
to the
Abby
Aldrich Rockefeller Folk
Art Center, opened last spring.
�910,
ered24v®
AUTHENTICITY
Four New
k .
r
Blankets from Goodwin Weavers
Lap
from Goodwin Weavers
"`
S'
will take you from
into
i
c
2 ,;;
and
ors
r ';-
desi
eastern
will draw
Kurdistan
teenth-,
sels
from
tion will be augmented
r»/
scheduled
to
Rando 1ph,
through
run
vast array of
ing histories
vessels
of
and
are
1993.
Among
4:
3"
‘:-,
emphasis
floral
on
the
in the Galt,
ownership
Burwell families of early
chandise,
1
makes
perfect
com-
the
Ellis Gamble
engraver
to
apprentice
in London.
lap
a
s
f
3=
f °,
i
y
st
,
x/,
Y
q'".
ip,
rlyf,
a
7
D
ar"
f
.,
l s'
tr,',;
f
fst =
rff
c
i=
r,,
_..
in any
children
f ,
k' --
3y
n`
Z
t
d":"
1
t
irY.F
, SY
y,,,
a":
t ,
f
r \`
R°
4 .
S
i
k
t.,;
f.
f
Y
ii-,
•,
\ ...
Goodwin Weavers' new Williamsburg
lap blankets
feature rich colors woven in three layers of100 percent
cotton yarn. The designs are reversible.
r9/7eff,(;//
fa
blanket that' s
SHOP
to be popular
o
ular withgrandparents
sure
and
make
A•
-
and botanical
Alphabet"
an
rft.--..
s
Hogarth
as
s,
f3
prints from J. J. Korman. Finally, those
familiar characters
from the " Colonial
he served
r
yw
Williamsburg. The early eighteenth- century
two- handled cup shown here is important
since it was engraved by the artist William
when
7
Y
displays of garden merlike our Collier sundial from
Virginia Metalcrafters
9
4:
d !:
to
element
7
g
y
motifs
the
j-H
t
A
lit
an
G
y
A '
car-
Botanical Gardens
with interest-
some
2k- "
n,
S
f
Ham. }
3_
fix-,F
G . '
p et also features rich colors and exuberant design.
An
-;-,,
b
r
pieces from the
in the exhibit,
by
Hyman
of John
on
English needlework
eigh-
and early nineteenth- century vesthe Colonial Williamsburg collec-
collection
based
Bouquets,
etti,:-.,
4,-;
iii— Fbil:,,,,, ,:.
:
furniture. " English
able
;
x
la Ys featurin g the warmthr
of a fireplace and comfort"
Seventeenth-
r- _
ri
4,,;,,,,;,
;
N
Gallery.
f
f
y ,
cozy dis-
into
customers
A major
exhibit ofsilver drinkingvessels
1
opens
this winter
at the DeWitt Wallace
ta
i
s , :::;,-;:,:,/,
fin:
U
i
of
n
\
a
t ,,.:,',;
winter
spring. The rich col-
s'- „
Decorative Arts
SINCE 1936
QUALITY
new
Fourlapblankets"
L,,,,,,,.
i ,
e'..,
AND
season!
J
NEWS
Many Williamsburg
Shops
were
decorated for the holidays and we en-
Celebrate the Tercentenarywith the
Colle g a of William and
At
the
end of the Duke
other
Gloucester Street in
from Virginia'
mile
building,
Wren building
liam and Mary.
one
colonial capitol
s
the Sir Christopher
stands
of the College of WilThe second oldest insti-
tution of higher
in the United
education
States received
William
Williamsburg,
of
a
from
charter
and Queen
Mary
King
three hun-
dred years ago, in 1693. The college
greatly influenced the intellectual life
of Virginia and
nary
number
produced
an
extraordi-
of distinguished alumni,
Thomas Jefferson,
Marshall, and James Monroe.
including
William
list
exceeds
and
Mary'
s
John
s
possible that
lVlaiy
design motifs
raldic
and
William
shams
are
cipher
Mary
Barrington,
Illinois,
the reintroduced
lis, Stoess
Manor,
bedspread,
House,
to attract
sure
and
William
as
Mary
The
Ferrell
Shop,
The
18th
ornament from Virginia
Metal-
have
been popular with
also
through the years.
The college' s Wren building, named
crafters
customers
for the distinguished English
architect
may possibly have influenced its
original design, was the first major
who
Williamsburg structure
by John D. Rockefeller,
they
are
separate
to be restored
Jr. Although
educational institu-
College of
joyed
more
Williamsburg
William and Mary
and the
have
en-
than sixty years of schol-
arly sharing and community activity.
The Williamsburg Reproductions Pro-
and
gram staff
products, including the
and Mary pillow shams
Crown Crafts. Featuring the same
Mary
William
new
by
he-
momentous
salutes
the College
anniversary.
on
this
Kitties,
Virginia,
1993,
Merchant
Century
liamsburg Shop
new
Colony
and The
Oak Ridge, Tennessee.
Chesapeake, Virginia,
Several
India napo-
Louisville,
Arlington,
trivet and
attention.
cipher
the
of these alumni live in your area.
Build a display around our William
some
ed receiving cards and photographs
hoto ra phs
yg
Shop owners. December promodons were held at Richard Hon quest,
tions, Colonial
current alumni
62, 000 and it'
o
from
in November 1992.
will
stores
including
in
became a Wil-
stores
at
open
in early
Bromberg' s in
Birmingham and Huntsville, Alabama,
and Sunnyfields in Baltimore.
Finally, many of you will remember
Sally Lorbach, who built her former
Williamsburg Shop, Patchwork and
Interiors,
in Greenville, South Caro-
lina, into the top gift shop in 1990. After
a break from retail,
we are pleased to
hear that
she
is
now
gift buyer at Old
Colony Furniture in Greenville. She
will help this strong Baker account
accessorize their Williamsburg furniture and will add
in 1993.
a
gift- accessory shop
Welcome back,
Sally!
�r9re:gera
continued
r
AUTHENTICITY
AND
QUALITY
P g
from front page
ii
2 '
Reproductions
r
o
s
Use Williamsburgin Photo
U
I'
k,,
, ,. ::
i: .
an
is to
use
this photogenic
for
our
in
roducts
1
the
as
place
Al.*
is
Senour
e
a
lace Colonial
you
or
71,
`'\°
Y
other
,,,,
mar-
Mottahedeh'
know.
They
1,
m
will be
Williamsburg
the place
as
an
effective
let
for roha ppY to hel p with yourplansp
Williamsburgproductsbymakrooting
the most of the"
uses
con-
i
The Colonial
Williamsburg
Foundation
Product Management Department
P. O. Box 1776
Williamsburg, VA 23187- 1776
of
Duke
Metropolitan
and
Home
most
recently, in Bon Appetit and Elle Decor.
collecSchumacher' s new wallpaper
tion
was
featured in the Washington
Post as well as House Beautiful and the
tional Home.
Comments and suggestions for making this
newsletter
more
effective
are
welcome.
Write: Sara
Flanary, Product Management Office, Colonial
Williamsburg Foundation, P. O. Box 1776, williamsburg, VA 23187- 1776.
Licensed
sales
representatives
this quarterly
Other
holiday
Goodwin Weavers'
features
included
floral applique
lap
blanket and pillow in Traditional Home
and Country Living. The new Kirk Stieff
Manufacturers...
would benefit from
newsletter,
Sally Barnes at( 804) 220- 7530.
aqv4.
Program.
colorful
holiday issues of Elle Decor and Tradi-
receiving
and
effeel
ml
and
backdrop.
Comments/ Suggestions
If your
nection."
s
Gloucester pattern has enjoyed editorial coverage in Country Home, Country
3,,I.::::....
Williamsbur g. This p hoto g rah
p , p ublicizin g
Woolen Mill' s new line of Williamsburg
blankets,
keting WilliamsburgReproductions,
managers
Colonial
Faribault
ideas for
last spring, editors of national
WilliamsburgReproductions
4:-
Customers respond to the nostalgia and romance of
to
Charles Driscoll, director of product
marketing, Jess Behringer, or one of the
ing
lection
Living,
sound useful
th
magazines have been taking note of the
Williamsburg.
strategies
if you have
product
i
sis::,,,,,,,-:; ,:‘,
Call Us
If these
Since
dinnerware pattern and the
wallpaper col-
4
the
majorcampaign that ties their paints to
the
L.--,-;-
.
video
launching
the News
Historic Reproduction
7Gloucester
setting.
g Faribo® blankets were dra p ed
a fence foran effective
over
advertisement. Martin
04.
in
c,,,,„
4
1,,,,,:,,,„'''',':'',:',,,,;,,,;'',:
41,,,,‘,,,,
advertiin
and promotion. Baker has made a
Colonial Williamsburgas
1936
Williamsburg
a,,
Y, one of the most effective
Finally,
and exciting ways to take advantage of
the Colonial Williamsburg connection
SINCE
please contact
Prentis Store ornament was included in
Decorating Remodelling.
are trademarks owned by The Colonial Williamsburg Foundation, reg. U.S. Pat. Off.
ui
1992 by The Colonial Williamsburg
Foundation
Bulk Rate
U. S. Postage
Paid
Williamsburg,
VA
Permit No. 7
Nonprofit Org.
1
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Licensed Manufacturers and Williamsburg Shops Newsletter
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1988-1993
Description
An account of the resource
<p>The <em>Licensed Manufacturers and Williamsburg Shops Newsletter</em> was produced by Colonial Williamsburg to keep vendors and other interested parties up to date on the latest products and news related to the Williamsburg Shops program. The Rockefeller Library holds what may be a complete run of twenty-one issues from 1988-1993. Licensed manufacturer refers to a company officially licensed by Colonial Williamsburg to produce reproduction antiques or historically inspired products that align with the mission and aesthetics of the Foundation. The Williamsburg Shops program was created to expand the reach of the sale of Colonial Williamsburg products by creating mini-Craft House stores within major metropolitan department stores. Articles in the newsletter primarily concern newly available products, but also can mention strategies for managing and promoting the Shops and significant Colonial Williamsburg news about buildings and programs.</p>
<p>Quarterly.</p>
Language
A language of the resource
English
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Williamsburg, vol. VI, no. 1, Winter 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
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PDF Text
Text
SPRING 1993
44111"
a,.,
e..,
AUTHENTICITY
AND
QUALITY
SINCE
Vol. VI, No. 2
1936
A newsletter published by the Colonial Williamsburg Foundation for its Licensed Manufacturers and Williamsburg Shops
LicenseesIntroduceNew
Williamsburg
at
High Point Market
H,::,,,::::::,:,„:,,,,,,:::,,,,,,,,,,,,, :„::,,,,,,,, ,: - , ::„,,,„,,,:.
SPECTACULAR
Ilk
sic
sideboard alongwith
r ococ o
by
chairs
Ilii
i"
a rm
an
d
Baker
Fur-
Re p roductions
Program
at the
4,
7,-; . ...
16
TO-
S
r in
Point
arches
coco
an
elegant profusion of
carving. Mottahedeh
major
;
new
piece,
a
a
tureen and stand, in
g
,,
tea` •"
4,. ,..
to t h e I m P er al Blue
k .,,,,,,, ,„:.,
ict,5it,:.,:: ::
,,,-:,
lo:
Colonial
i !:,:
iop___: ---
Z
Williams
:
fix' ,:;;<`
r..
9' ,
s newest licensee
i8:,„,,,„::
a
Michaelian
will
berg,
and
Kohl-
introduce
: :: :. !
tom.
x...
i
a
F
grouping
work
7
::
C
`. `
new accesso
of
needle-
point pillows and
ro-
introduces
x . :,.....`
0,,,,,,,
x.. , ,,.
x, .:.:...
L'.
,,,,,,, ,
`
a
a.
also
dinnerware pattern.
bur
Furniture
The
and
ri es
1993 High
sideboard features high
g
tapered
legs,
n
ser
in
serpentine e front, and
P
P
tricate
inlay. The chair backs have gothic
Market.
burglicensee will
the Williamsburgintroduce
wt
oduce
5 ,_ :
li,,,,,,:::,;",-,,,:. :, .,
4,,,,,,,
pattern, the excitin g ands:
p
w e 11 r ece iv ed
d inn e r
i_
_ -_
i, iii-
Gloucester1, 1:': ',":
ware patternintroduced
last year. The Williams
from
n wproducts
ofe
1
de
headline the introduction
nature
r
si
of
the Duke
neoclas-
examples
collection.
Patterns
from
rugs
in the
needle-
museum'
s
Bassett
monds," "
vast
Carter'
"
like" Stars and Dia-
s
Hall
and
Plumes,"
Grove Refusal Room
Au-
busson" are all handmade. An in- depth
look at the collection and
k' "
a
licensee will be included
n
in the summer
4
pro ducts
N
1
11-'''
4/
1 %,
4-
nial
1
7'.'' ':: ,::,''":,::::
aswellas
showrooms at
ufacturers'
High
Q,
4'',:!,,:
q"':' 1:
IS
1741735iFf
3,,
?
as>
H
Point
c
ers
vim"
a";,,
a
er
ri e
Decorative
firPottery
K
April, in-
m an
Metalro
Arts, Rowe
\.
,. "
I:
this
Virginia
cluding
'-
,;::`
ate'::
pe ren
Williamsburg Repro
ductions
vor
dos favorites
es
may be
seen in other licensed man-
Intirmomp, :: ;:
0
newsletter.
introduced
Recently
l'
ers,
Works,
Goodwin
macher,
c
u
Weav-
and Foreign Advisory
Service.
continued on page 2)
101
Itt
11
s'
l'
thetil
New products from Williamsburg emphasize
breadth of antique
resources
found in the Historic
Area and museums of Colonial Williamsburg. Visit
Colonial Williamsburg' s licensed manufacturers'
showrooms
about
new
at High Point for more information
products
and
timeless
reproductions.
rkm
s
�AUTHENTICITY AND
i
SINCE 1936
QUALITY
continued from page 1)
X
it
Colonial
Williamsbur ' g
licensees
s
lam,,/;;,:%' //!
H:
;
f
adapt, and interpret deco
roduce,
re
ice.'..
accessories
rative
the
museum
of
s collection
in g fr o m the
eth
based
andgifts
on
dat
objects
centuries.
objects.
are
f
:` %
a
ir
found in
the homes and public buildings o t
restored ca ital city of Williamsbur
,£
z
to the twentiThe
a`'
l
e
f
:/;
a`.,.
CN
s
x; „
fig:,;.;,:
:
c>..,
qu?":
Y>:.C<...
y.
4:
t;,
1V "1!
Hall, and the AbbyAldrich Rockefeller
g.
_,
y
r/
ems
``,
Folk Art Center.
alk#
414tilitk,
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ors:;
us
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y
r. >
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r
r'.
ii
1,
Willi
.:,
q;
y
y/..
r.
x''
a m s
ductions
3
ix
roduct
new
intro
covers and ru s fyom Michaelian and
b ...
Kohlberg
.,
Baker,
ate.,
bur
include needle p oint cushio
and sideboard
chairs
and
andtureen
st a nd
yom
om
2;" ,,,,`.,.
Mottahedeh.
J
r
3
l,
r
a
a:
i:
i!.:; i).: , ,
7:::6:!,::
7.::::.
r.
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a"
s
ri
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fir
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thQ
141
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a`''-.,. ,.`""
3?':?<;..`; ".
a
iYY'
j':
fir.,.,
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z
e3,
e,:,::,,,.
4'
4:
4•*,.,
o.e.
4,1„,:,::,,,,.,.,,,,,,
a
zAAI4::: ,,,
The Britannia Collection Adds
Furber Floral to Crummles
Williamsburg
Enamel Box
vy. ,. ,
fy/
Group
ite
Ins fired byRobert Furber
Months
of
Flowers,
Crummles
s
Twelve
fired
has de
signed
the decoration for the to p of an
g
enamel box. The design is based on the
flowers
in the En g lish
illustration
The
for
rY
s
une.
enduringbeauty
boxes is due in
nurseryman'
part
J
lied
of Crummles
to their process of
as
a
onto
y„
4k,,,.
N,,,,,,,,,,-,
the g laze. A
of p aintin g sequences follows. The
f;`,:.„
y
4,..,„
:
y',
y
ti;
i,
144
A
series
f
V4,
I,
f
p
g round b Y
h a n d a n d mi X ed W lth
aints
are
lyy'
i
%'"
.
l2:
/:.:
"
G::::;
:/:.'
/
hand- painted
onto
has its own firing char-
pure copper that is cut, shaped, and
cleaned in preparation for the enamel-
acteristics, the artist takes
care
during
ce. %<.
y:
the
firing
control kiln temperatures
visual
i
1
the
enamel• Since each color
great
/
;:
x: ' '
tur p entme and oils, then
manufacturing and fanciful decoration.
from a thin sheet of
made
process to
and makes
layer and fired repeatedly at high
temperatures until a fine glaze is
regular
achieved• The design is carefully ap-
mark of Crummles Enamels.
upon
-,.:
y''
transfer and
The box is
The enamel is applied layer
,,,,,
0,
yy "
checks.
The
subtlety and translucency
This new enamel box from Crummles features a color--
fulful display based on Robert Furber' s catalog illustration of June flowers.
resulting
allarea hall-
�ffe,e/Ifa
e,
AND QUALITY
AUTHENTICITY
SINCE 1936
Bruton Heights School Educational Center
Kirk Stieff
to Be Newest Resource for Licensees
Audit Completed
Colonial
cient
Williamsburg
the last
quired
thirty-
size (
ment of an
three
located
developeducational campus to bring
together its research,
rial, and
acres)
Area for the
the Historic
near
recently acof suffi-
site
available
training,
functions. Grants
conservation
from private
curato-
sources
will
make
this
project possible, with the first
for completion in approxislated
phase
ambitious
matelyfour
licensees,
tions Program
better
allow
and
curators
proximity,"
other
in
experts
task force
for the
ties, Williams reported," The audit went
ing." The new facilities will significantly
enhance our ability to care for our collections.
building
The
a
Kirk Stieff' s reports of sales and royal-
build-
new
con-
audit of
on- site
Williamsburg Reproductions Program
licensee in November. After auditing
close
said John Sands, director
of Collections
and
member
director of
Williamsburg
ducted the first
in the Department
most curatorial and
ears.
Colonial
internal audit, Gwen Williams,
and
Work areas will be located there
objects.
with
it will
since
to information
access
ii(4
which will serve
func-
conservation
yi
y:
The educational
cam
p
us
will be lo-
cated in the restored Bruton
School buildin
and several
Heights
new
struc-
ii,
tions includingprimaryjobject
will
areas
ent
cover
thousands
y:. .''
storage
is, :::::>
s:,
r'
y
r
i>::;SL'/'. ",'
:.
,
s,.
approximately sev
feet and cost more
f
uare
R"` `
These will
tur es
together staff,
Pull11
than$ 11
and activities now housed
collections,
in scattered and undersized buildin g s
for
not designed
p
properties
p
g
their current use. The total center will
adjacent
labs,
a
1
trainingcenter,
a
auditorium,
t
e
t, 2)
a
offices
and audiovisual de-
librarythat
consolidates
four current Foundation librarycollec
tin
3)
tt Wallace
o
s, andtheDeWitt
e
a
ace Co 1-
Collections
The Wallace
throughout the Historic Area and in
include:
s„.
million.
and
Consery
ation
f.'
yy
s ,,
b
tat the Bruton Heights School
Educational
r
will
Center]
y
be especially
p
y im p ortant to
Willi
lsbReproductions
Pro
licensees
ram
lections and Conservation Building.
allow
Thewill
Wallace Collections and Con-
5
j
k :,;
y
ev qfpie,:://
41, 040/,'",
411,!:;!:!:;,,,,!:!.
1,,:,,,:
ii,:,
4
4:::
it
since
~,
f
ot;;;;y,%
y -;,;
7.
1:
better access to in-
servationiii
formation
will
be especially
and
building
important to Williamsburg Reproduc-
Bruton
Heights
Williamsburg
objects.//
licensees' royalty payment records.
School,
r
a
Williamsburg
mark
mar
z.,
land-
will be fullydeedintento fifteen
as
a
stateof- the-
years
art educ
a
tional
r ese
a
z,
x
arch
u
.
No,,,,,
trai ntn
cli
faci
lity.
and 1 a b orato
r
a:V""
r
_
a..
v.
ir,,,,,:,;,::
14:::::,,
A
404:„,
Y' 44
z'
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1
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lig
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r''
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4,,,
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r:,,.:''''''''*
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i'i' ' '‘:„::'! '
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kl* 411'
t
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t17:::
fi. `
44-
as
L,...... :.
o..,,.:.. ...:. ..
Ewa` ,
o
,>.
a' :::\\
E: ,„-
c '.:.;?;':
a <:',... .
R \ ,.,..,.,\> .. \`
ate.. ,
44',':
i, ,
t''. *.:;',‘;',!
t,,.;,)
4,t',;:: 11::!'
:::':::
ems,
1',,:4,
is.,1:„:::
4, tt,
H;: 47:,!
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�ar
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.
very smoothly and there were no findings. Kirk Stieff' s accounting p rocedures, books, and records were straight-
forward and in good order."
After interviewing
Colonial
liamsburg Product Management
to
staff
one
staff
at Kirk Stieff'
the audit
performed
member
in Baltimore.
s office
AUTHENTICITY
They
AND
SINCE 1936
QUALITY
Program
Reproductions
Williamsburg
Loses Friend
Wil-
documentation, Williams and
review
8
Kormann,
Joe
Kormann &
licensee
Program
He
Virginia.
J.
Reproductions
since
26, 1992, at
cember
of J.
president
Inc.,
Son,
age
1982,
gests that memorials be made to the
Fincastle
died De-
65 in Fincastle,
will be remembered for
Virginia,
24090.
Son, Inc., frames
Kormann &
pictures from licensees
personal warmth and the fine service he
provided. Everyone who knew
Kedron
Kirk Stieff data processing officer. Selected products were traced from
Joe regarded him as a friend.
Joe Kormann was a member
and Galison. Daughter
monthly invoice records to royalty reports. Selected sales were traced, sales
Church of the Transfiguration
worked with William
Stieff
and Bert
controller,
totals were compared to
the
able
assistance
They
records
and the
of Columbus in Fincastle. He is
Knights
survived
by his wife, three children,
and five grandchildren. The family sug-
Dietz
Hedgerow
Press,
House,
Highland House, New York Graphics,
Tracy Brady
and
Kormann will continue the
Jody
son
business in Roanoke,
serving Colonial
Williamsburg Shops,
Williamsburg,
s
and other customers.
y
We
Mr.
of
r
said Wil-
and easily
with books and
us
2
requested."
Colonial
of the
Design,
helpful
were
to provide
were
records. "
Sample and Mr. Gertrudes,"
liams. "
ledger
records
compared to Kirk Stieff' s
appreciated
Gertrudes,
general
and Foundation
entries,
Kirk
Sample,
his
J. J.
Squad, P. O. Box 273,
Rescue
Fincastle,
Williamsburg'
s
a . ''`
1:',:
g
4, 114 ', 3Nt''''
Internal
as
Audit Department will continue this
process with licensees on a regular basis in the future.
c
era
i:::
Iiiii. ,.!:::
A.„
2,
Al*,',11'
'. 9',4f ',`;
AtiPs IA
91e,ler/
v3
J
t,,,,,,,
7,-:,,,,,,,,
i,,,,,,,,,‘,
1,„,,,
A,,,*,,:::&,
SHOP
s
i
NEWS
William
Woods, N.
in
Spencer
Rancocas
lived and worked. Ryan
Fletcher, representing
Greenhow,
sue
of this
was
Kudos
newsletter
to
Ken
Williamsburg'
s
shopkeeper
John
featured in the last isas
of eighteenth- century
special occasions.
adding
a
touch
Williamsburg
to
Kirk Stieff'
magazines
s
of Colonial
Relations
De-
the press release
Williamsburg heart box
and
,,,
-
_,
,--
Joe Kormann, seen here with his wife
f and David Mathison at a gatheringfollowingthe
Licensed Manufacturers meeting, died December 26 1992.
ing
it for Valentine'
newspapers
suggest-
Day.
s
As
newspa-
pers called Kipps for more informaof the
tion, he told them the name
Williamsburg
Woman' s Day
Shop
nearest
Beautiful
Brides
tised the heart box
through
Kipps
pp
Media
to
partment for sending
on
.,:_,,,
‘„,‘„,,,,,
-
1985 Williamsburg
t
over
end using Mr. Greenhow to draw atera in which the Father of
Country
,,
Birthdayweekhe
s
tention to the
Our
,
if''' \.•
J., held a promotion
Washington'
Georgeg
.
order
are
or
them.
adver-
being available
Colonial Williamsburg mail
at a WilliamsburgShop.
p We
of four papers that ran the
with mention of Williamsburg
Shops. In fact, Cozarts
reported selling
in Raleigh, N. C.,
eighteen
heart boxes
result
a
our
of the publicity! This is an
of Ken'
example
stores.
whenever
s
interest
Remember
a media
in promoting
to ask
us
for
help
opportunity presents
itself.
New
as
aware
article
as
Williamsburg Shops are being
Legacy in Ft. Worth, Tex., and
added at
at Red Lion Interiors in Wyckoff,
N. JJ.
y
Jess Behringer, director of the
Williamsburg
Shops Program,
in the Baker Furniture
ing
will be
Showroom
the April High Point Market.
dur-
1
�AUTHENTICITY
Foreign AdvisorySales
AND
Held in
Meeting
SINCE 1936
QUALITY
New
Williamsburg;
Crystal Discussed
On December
brought
its
g
11
Forei
n_
p
tothesalesmColonial
tea
to
r
burg
in
for
a
visor Y
man
representatives,
W
new
y
illi a m s-
l es m
meeting. I n the morn
Behrin g er director of
sa
CZ
.,., + ,
sessionJess
I
ltft ‘ :
7
a
Ts';::' '
g
b
1
spoke
oe
rou
u
ni a 1
tothe
e
aotCoo
pg
p
c.
ll a m s bur
nd t h o Willi a m s
ur
Q
ts',,,-(
g
t hWilliams
bur g
e
Pr
h ps
Shops
ram,
a
r
o
s'`
'
vL
v
ti
2,
Shops Pro g ram. Rebecca Rh Y ne p rod
d scussed the p roduct de
uctmanager'
ment
velo
ro ee s s
from
adaptations
museum'
d b
develo
Williamsburgto
and
u se
re
4114":
1 ni a 1
Coo
A,
in the
*
ttilitili :il,
—
It'
41
ti
redevelo
p resentativesthe
p ent of
the crystal line• The line was redevel-
oped in
an effort to
provide customers
with high- quality products at eompetitive prices. The prices of the lead crystal
'
substantiall Y
over
Foreign
g Advisor Y found
manufacturer,
of
coalition
manufacturers
in
the consistent
li a n ce
and
n
MacKenzie
less lead, is
closer
11 qualityr q u it ed of
crystal. Czech Republic
Williamsburg
crystal is among the finest in the world,
thousand years
representing nearly one
and g lass craftmanshi
of crystal
rY
the
items
p• Allot
still hand- blown and
are
shaped• they have been carefully reviewed for accuracy and authenticity.
The Czech cr Y stal has a much lower
lead content( 10 percent) than the pieces
from the Netherlands ( 24- 30 percent),
which gives the
color
about high lead content, this
change
peal
will
to the
customer.
the questions
tourers
swers.
enhance
the crystal'
Below
frequently
and Foreign
are
asked
s
apsome
of
by
Advisory' s
cusan-
brilliant, and is
as
in historical accuracy,.
Q.Q why
is it less
used
were
since
n
the
toasts their new crystal resource at a sales
meeting in Williamsburg. Colonial Williamsburg product manager Rebecca Rhyne discusses the product
development process with sales representatives•
ex
e nsiv .e
t
C`::
a.
A. Primaril
because
costs
in
the Czech
v..
o ,.
o
RepRepublic
are
so
much lower than
Holland. Also the lower lead
tent
Q.
1_
in
con-
i$*
4Ta,,,.,
4
2
.
cost somewhat.
reduces
x<,
to
Is it possible
b for a customerbuythe
p
old Leerdam pieces..
illik*
W
A.
We have a very limited stock available at the old prices.
Is
Czech Republic crystal known for
Q.
hit
T
s :',. , ,
quality?
A. Bohemia,
now
part of the Czech Re-
public, has been
a
leader in high-
r\ ,
/
, ., '
quality glass and crystal making fore
hundreds of years.
Q.
Is the newproduct
p
A. Not really,
products a slightly
and heft. With growing
concerns
far
contains
redevelopment process.
new
different
just
original drawings
the
ra
ovee
Via.
Foreign Advisory' s executive vice president Allen
bril
shape,
s,.,,
A. It is lighter in weight,
Czech Republic who have the expertise
maintain
ii, A
Q. Is this new crystal as good as the older
product?
the p ast few
years. After an exhaustive search in the
Eur o e f o r a new
e
United
U
ted States
V
1
V.
z .
t
u
:
s
,+ <`.
1;\
4
,
s"
pieces that have been a part of the
Williamsburg line for many years had
risen
S\
A
Iki",,', 1w,‘,-,
.‘'.
sAllnMacKen
re
to
l'.
YY
discussed at length with the sales
zie
a
2:
ti
roductions41tiPI,::
antiques
svastcollection.
Forei g nAdvisor
v
K:`
morefragile?
but the pieces should be
treated with respect, since the rims
are thinner.
Q.
Will these
new
pieces
match pieces bought
in the past?
A. Some customers will notice the dif-
ference. The rims are thinner and
each piece weighs
than the old.
somewhat less
t
7:
w
�iffeA /
MAJ
AUTHENTICITY
AND
QUALITY
g
Win Awards
in
Relations Pla
Arc
On a recent visit to Kettles in IndiaProducts Stories
Williamsburg books,
The Folk Art Counting Book and The
Governor' s Palace in Williamsburg, were
napolis,
p
Two Colonial
Books
in the 1991 Southern
as winners
Competition sponsored
Southeastern
ognizes
The
Al. The
designed
by
by
in
Greer
in
rec-
a
was
of the Pub-
The Governor'
Williamsburg
Allen,
Book
Counting
Helen Mageras
lications Department.
Palace
competition
was
s
designed
free- lance designer
,
Jess
Williamsburg
For the last three years, Lis King of
Lis King Public Relations
has worked
for the architectural
the
in design.
excellence
Folk Art
by
Association
Library
Birmingham,
1936
Lis KingOverheardPublic
Two Colonial
chosen
SINCE
products licensees
by placing articles and photos with captions and drumming up editorial interest in paints, tiles, moldings,
lighting
fixtures, fences, and other Williamsburg
products. Media
clippings
the country continue
Product Management
lonial
Williamsburg'
Thank
from all over
to pour into
Office
s
Shops
interested
Program,
talked
in
Williamsburg
by Baker. When they were
surprized by the price on the Cliffton
High Chest, Behringer was inspired by
a
memory of the nearby Lexus dealer.
He hypothesized that you might invest
$ 50, 000 to$ 75, 000 in a luxury car and in
four years get 40 percent of the value
the
from Co-
clipping
to
director of the
Behringer,
g ,
service.
you, Lis!
a couple
furniture
back in trade. For much less, however,
you could invest in tomorrow' s antique.
To your grandchildren' s children it will
have greatly appreciated in value!
from New Haven, Conn.
The
books
are
available
through
Colonial
P. O.
Williamsburg Wholesale Sales,
Box 1776,
Williamsburg, Va 23187-
1776. Call Marina
7751
or
Ashton
at( 804) 220-
Christine Twyman at( 804) 220-
Comments/ Suggestions
Comments
newsletter
and
more
Licensed
suggestions
effective
Sara
Flanary,
tion,
P. O. Box 1776,
are
for making this
welcome.
Write:
Colonial
Williamsburg FoundaWilliamsburg, VA 23187-
Manufacturers...
If your sales representatives would benefit
from receiving this quarterly newsletter, please
contact
Sally Barnes at( 804) 220- 7530.
1776, or call 804- 220- 7293.
7178.
and
cWo
and
ram.
The Colonial
Williamsburg
Foundation
Product Management Department
Foundation,
reg. U. S. Pat. Off.
Bulk Rate
U. S. Postage
Paid
P. O. Box 1776
Williamsburg,
are trademarks owned by The Colonial Williamsburg
1993 by The Colonial Williamsburg Foundation
VA 23187- 1776
Williamsburg,
VA
Permit No. 7
Nonprofit Org.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Licensed Manufacturers and Williamsburg Shops Newsletter
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1988-1993
Description
An account of the resource
<p>The <em>Licensed Manufacturers and Williamsburg Shops Newsletter</em> was produced by Colonial Williamsburg to keep vendors and other interested parties up to date on the latest products and news related to the Williamsburg Shops program. The Rockefeller Library holds what may be a complete run of twenty-one issues from 1988-1993. Licensed manufacturer refers to a company officially licensed by Colonial Williamsburg to produce reproduction antiques or historically inspired products that align with the mission and aesthetics of the Foundation. The Williamsburg Shops program was created to expand the reach of the sale of Colonial Williamsburg products by creating mini-Craft House stores within major metropolitan department stores. Articles in the newsletter primarily concern newly available products, but also can mention strategies for managing and promoting the Shops and significant Colonial Williamsburg news about buildings and programs.</p>
<p>Quarterly.</p>
Language
A language of the resource
English
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Williamsburg, vol. VI, no. 2, Spring 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
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PDF Text
Text
0
SUMMER 1993
Vol. VI, No. 3
AND QUALITY SINCE 1936
AUTHENTICITY
A newsletter published by the Colonial Williamsburg Foundation for its Licensed Manufacturers and Williamsburg Shops
Changes at the George
OR YEARS,
l'h,
to
visitors
Colonial Williamsburg
s
Historic Area have been
iii
charmed bythe home of
4
N 1
George
Y
g Wythe,
lawyer,
st a tesy
m an
ini a
a nd Vir
v-- =
8- Y
signer
endence.
11=
brick
de
a
e
When
rated
there
was
was
$ '; ,;,
;'::.,.,
deco
tea,. :
4„
r
'
;;
4 '
andiii..,,,:,,,,-.
a
M, ',
z :. _
1
architec-
,
if;:
the
sto
z.; ?
betWu.
ry
w
y
7::::,,i1,.14,:,,,,
41s,,,‘
During
cam
':
'''
a'`
a ka
Via
a
I14,t,
,)
r.,•
a..:¢;:;.;.,,..::..
.,
y
'
x,; ',
z.
,
z= „: °,
aa
a\"
was closed curators
and historians also had
hex
::
M.," ,.
^\
A
r,...?
M>,:
ofa
i _ ,.
the time that the buildin
re.
w
ti
ther 11
airconditioning, an ex
tra door was discovered
eor
e Wythe.
George
survivinginven-
no
`.:
t
recent
rade
heatin
s
ter frame
the earlytwentieth- centur
left the house and it
u
tural historians to
residen
occupant,
p / the Reverend W..A. R. Goodwin
•
5
ment in the count ry
o
during
to
that allowed
appear
K ',:,;
..
h ouse.
buildin
Georgian
home originally built in 1755
in almost everycolonial- style
cussed George
g W Y the' s
his
r rather
ca r eethan
But
Copies
liii,
ground. Interpreters dis-
work
of thehandsome
J ;-'. -== _-
ownedby men of similar wealth and back-
Dec
ofthe
laration of Inde-
--,( _
House
vim.
a.,,
p,\
c`; ..:..,,
ck•,
fie.,,,
4;
,,, ..„
z
::
A
for ,
Wythe
although
few
a
to England
house, therefore,
chance
to
explore
the
found. The
house and rethink what
refurnished with
it said about the eigh-
were
was
sent bya
orders
the guidance of inventories
of houses
teenth
\
t -
',
T,
century.
The upstairs bedroom at the George Wythe House is
typical of bedrooms in the colonial period.
I,,,,, z,:-
-' '‘ ' --''''''' "''''''-"'-‘---''''',',,' :", ,,•,:••,.,,,,,,,,„,,\\,,,,,,\:,,,,,,,::,,,`,;',,,,!,,‘,,
t',\,,,,,: , ,, Layers of old paint were removed to
confirm
the long- held suspicion that
there wasa doorbetweenthei
dining„
A, :
and
room
r
t
another
room
on
the first
floor that had held Mr. W y th e', s scientific equipment. Historians had notbeen
happy with the separation of the scien-
I
L , - -,
ir
H
tific equipment from his study. The
Wythe House now fits the traditional
ei
hteenth- centu
floorplan in which
the bottom floor usuall
ask
kii' ' ,.': i \\
1,
ii,,,,,‘,:‘,
:> <>.
I(dr --
224, i., , , 7,
t'i,
NI'
A
r,.
z,Ai.
al
I.,:;,
r;
\
k
tW'''':
2„,':*,',• -'
Mil.
e
4
found to have
been
a
u
li s h b r o w n,
ocher,
0
4,‘1-',''''\* Iivc*
1p
;,:
1,
111b
design.
period','',,*‘:,
11:
11010Altik ' -‘ \
IMP'
was
trimmed in blue
to conform to the latest scholarshipon
1r
H
Paintswere alsoanal zed andthe
buildin
andgray. Rooms were also redecorated
r.
111.
contained a
room and a bedparlor and a dinin
room linked b
a d o0 r.
The diningroom and bedrooms at the Georg e Wy the
House have be e n
s :
i s`
arship
on
period
r
edeco
des g .
r
ated to r:e
ect the latest seh
0
1
�o
R
iffeld
AND
QUALITY
Williamsburg
Upshur,
Farm,
19,
died
94,
age
Accomack
1937 Mr. Upshur
staff of Colonial
were beyond measure."
developed
Upshur
earl y products
p
p
p
with current and former Williamsburg
County,
joined the executive
Williamsburg as its
and
licensed
Kittinger,
mer-
develg. In that capacityhe
for
the
reproduction
program
manufacturers
Friedman
Wedgwood,
Dietz
Brothers,
Katzenbach and Warren,
Kirk
chandisin
Press,
oped
Stieff, Schumacher, Virginia Metal-
and
a
of important
sale
tifacts. The
s
Friday
Virginia.
g•inia In
first director of reproductions
He
was a man I admired tremendously. He
had integrity that was quite evident
and his kindness and understanding
at Drummond' s Mill
1993,
through the early 1980s. "
director
4
John
who was recruited by
Upshur in 1946 and succeeded him as
Reproductions Program
March
SINCE 1936
Harold Sparks,
Upshur Dies; Was First Director of
John
the
AUTHENTICITY
become
standard for
a
and
antiques
crafters,
under-
similar
takings throughout the world. He
tired
and the Williamsburg Pottery,
many of which are still in the line of
ar-
model has
Williamsburg
reproduction
in 1958.
He
burg
to the Paint Restoration Fund of St. James
the Father of the Williams-
was
products today.
Memorial contributions maybe made
re-
Reproductions
Program,"
Episcopal Church, in care of Mrs. Collins
Snyder, Accomac, Virginia 23301.
said
Look for New
Exhibitions of Mocha- and Slipware
Advertisements
Ceramics Open at
Williamsburg
In 1760 a young
here. H
came
that
g
Antique
ceramic
exhibitions
slip. The slip colors usually contrast with
studied law, danced with his sweetheart into
n e d
i
n
opened
W
i
lthe
Colonial
a t
p
May
basepottery— frequentlycreamware
and ultimatelychanged
the ni
night
g
g his life and
that
show
one
decorative
or pearlware in the case of mocha and a
liamsburg
each of ours, forever. His name was Thomas
rough- grained buff or red earthenware
technique can produce two remarkably
Jefferson. The place was Williamsburg, Virdifferent groups of pottery.
in the case of slipware.
the only colonial capital fully restored,
gznia
Mocha Mania" features 350 examples
As the two exhibitions demonstrate, a
p
to remind us what life was like when we were
of mocha, or banded refined earthenshared decorative technique is where the
chap
g in g into a p lace called America. Come
wares
characterized by bold graphic desimilarity ends. Mocha designs are colorto Colonial Williamsburg.
signs
executed
in contrasting colors on
ful and include checkerboards,
stripes,
You may have already heard Hal
bowls, mugs, pitchers, and jugs. Astree forms, tricolored swirls
branching
Holbrook' s sonorous voice accompanysembled from four private collections, it
that resemble worm trails, and cat' s eyes.
this and four similar television spots
ing
this spring. Colonial
Williamsburg'
s
travel marketing team
of advertisements
series
has launched
a
that
emphasize
in 13
the 1770s,
March
Wil-
figured
through
has taken
are
July,
a closer
travel marketing
look at
Gallery
where
visitors
Slip- Decorated
English
includes 85
like
liamsburg
large jugs
terns to
circular
Rockefeller
needs
on
three levels, national, regional,
g
and local.
subjects
free 1993 Vacation
Planner.
or
range
political themes.
Some have inscriptions and dates or patterns that symbolize ideas or good wishes,
such as pomegranates for
fertility. In conpopular
from
pat-
sgraffito,
styl-
with
trailed in bold
Abby
Folk Art
are
firing,
trast,
also
pp
liquid clay
known as
mocha
almost
x\,,:
1,,\\,:
is
always
abstract.
mocha
decorated with
applications
or
religious
Aldrich
Center
throw g h March 1994.
know
package plans, call 1- 800- HISTORY for a
precise. Stylized motifs include abstract
patterns, floral or faunal subjects, and
of more folk-
They
dishes
lines. It is at the
Before
If you missed the ad, but want to
more
about accommodations
and
are
plain bands of colored slip.
Earlier slipware design appears less
others
from the Colonial Wil-
with incised,
these
addresses
Some designs are impressed or incised,
Arts
Earthenware"
objects
collection.
ized royal
organization
slipware
character
coming from and what they are looka visit to Colonial Williams-
ing for in
burg. The
Decorative
through March 1994.
The Best Is Not Too Good For You:
markets
when
so
prominently in the
formation of the country. In addition to
the new television spots, which run from
liamsburg
is in the DeWitt Wallace
and
one
1,
it\7‘.
slipware
or
more
i
of
A_
I::
ly-ii,4‘
4,
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or
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s
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fit.\\
g
a
�C?-
4®
AUTHENTICITY
AND
QUALITY
SINCE
1936
y.:,
btu\\\@\\
1<\\,\,.
and
Michaelian
4\\!,'\'
Kohib
'''
erJoins
g
Licensee
Group
k`
i,
7,,,,,,,,,,,
N
e
s„
-,,
s4„
s,
t,,,
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t, ',,\,,
Y.:!, z,'
ifki,,,
7,,,,,,,\,',,, '-'
z
fi \\ $,
The
Pro
WilliamsburgRe
ram
founded
and Kohlbergwas
the
meet
in
Co m
of interior
needs
\ :
elian
_
,
...\.,.
1921 to
in
desi g n
rs
fi\,
edd
viceT
Su mn
,..
4; ,.
..,\
4,,,,,,,,,
i
r\
171
the handmade carpet Indust
an
.,.,
.:,
nest designs andqualityrod
wihhfi
t
the
ucts
roductions
licensee Mich
newest
s
er
\:...
ate.,;:
v
a.`"'
moo
i'
a'
said
We intend and expect
that these
p
carpets will be enjoyed and in use for
4-,'''v'%
s\\
fir\.
\:' \
a\\ _.,..
c\
vim\\:::`+;
manyyears to come.
ate,..:.
withw
ea yr
e s
0 hin a
Th
i
Nepal,
1 and
n
India,
mIn
handstitched needlepoint
cushion
will be
covers
In 1917, Frank
of Michaelian
and
Kohlberg
continued
and
and
After
Kohlberg
facility
form." Our
years." Sizes
x
and
light
wear
and
density
is
80
colors
and
of the stitch.
Royal Shell
Williamsburg
York
at the New
first
the
liamsburg
Tabletop
stainless
to
enter
by
on
a
flat-
just
but most included the shell
came
half
to
make
a
final decision,
week
square
complete
cushion
cov-
Some have
over
to
takes
a
trained
complete
feet and
size
aroom-
one
over
a
to be associated with other Williams-
burg licensees who also strive to develop outstanding designs from Colovial Williamsburg' s vast and diverse
collection of antique decorative arts ob-
WilliamsburgStainless Pattern
million
flatware market
Royal Shell
steel flatware is
one
18/
8
of several
stainless
turers say that
ing
customers
higher quality and
ware.
These
customers
"
Michaelian and Kohlberg' sWilliamsburg pieces will certainly appeal to that
segment of the market. We are pleased
jects for today' s homeowner."
rug.
patterns to enter
the market in recent months. Manufac-
the
motif, a popular design element in eighteenth- century decorative arts. When
the time
one
stainless
mid- eigh-
right pattern for years," said product
manager
Kris Fischer." We had several
5' to 13' 6"
stitched with 100
are
Williamsburg
antique
We looked for
x
We believe there is a heightened
desire for quality and artistry in home
furnishings today," said Mr. Sumner.
in 1991.
sterling pattern
the Colonial Williamsburg
Foundation. "Foundation.
and
high- quality
The pattern is based
owned
to
and
carpets
remarkable.
cent of the$ 660
It is
pattern from Wilthe increasingly fash-
priced
from 3'
such
for many
pad,
wear
decided to go with the shell." Stainless steel flatware comprised 61 per-
market.
teenth- century
carpet.
we
stainless
Show.
flat
good
per square inch. It
one-
year
its debut this spring
and competitively
ionable
ware
made
truly
craftsman
resis-
Kirk Stieff Introduces
steel flatware
a
range
Kohlberg
ers
stitches
tant," said Mr. Sumner. " This is due to
the tightness
needlepoint
The quality of stitching in Michaelian
same
although
in weight, is durable, and
Room
21'.
China
and revived the art
needlepoint,
r,
te,
it should
durahold,
as
scale
recontacted the
used with
When
devel-
its doors to the West, Michaelian
needlepoint
. ..
on the Carter' s Grove Refusal
grand-
owners,
until 1937.
.
founder
for the first time. Production
in China
i....\\\
Michaelian and Kohlberg' s carpets and cushion covers are handstitched in China. Stitchers are seen here working
in China.
oped needlepoint ona commercial
opened
ate ... ,.. ...
t,k,‘i,,,,,,\Ns,,,,i,:',','''''',,,
Nihui,:.,,,,
1 en
and
carpets
Michaelian,
of the present
father
w oo
made
o.
worksv,
W illzamsbur
e it
g,,
\\\\
C
and Kohlber
Michaelian
Knowing
become
so
new
more
are
demand-
value
in flat-
18/ 8 patterns give the
in this
choices
that the. stainless
compettive,
we
Williamsburg Royal
Shell is made of the highest grade of
steel, an alloy that includes 18
stainless
s
parts chrome and 8 parts nickel and is
known simply as" 18/ 8." This particu-
bar combination of metals has proven to
highly resistant to rust and other
be
staining. To avoid the inevitable stain-
ing caused by the acids in some foods,
that you tell cussuggests
tourers to ensure that it is always washed
Kirk Stieff
market has
promptly and dried carefully. Stainless
steel is dishwasher safe. Kirk Stieff flat-
believe
ware grows even more beautiful over
area.
our
pattern has the design and price features that will make it successful," coneluded Ms. Fischer.
Kirk Stieff'
the years
patina
a
it develops
through daily use.
a
warm,
rich
�relfeefa
AUTHENTICITY
AND
SINCE 1936
QUALITY
Special Licensee Feature: Of Orchards and Alpenglow
listen to Ben
To
fixed the problem.
talk
Lacy
the
history of apples and
s orchard is to feel
family'
Yf
about the
his
l
orchards
Freezeland Mountain.
ers
in
come
phoned phoned
into
then
is, .,:.
r !%
if.,/,../
4,/,
.
r:
bottles
s'.
y
over
on
it
a
of Virginia
cider
pp
a
Linden
a
/
y
r ,,,, -,-,,
fir
/
is
-
ya
_
j
ti
r
s
soy.,.:
Sw:
9
,
9,
q/`
q;
y, E'
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x
1980s.
f, .
s:
Y;'
Yy
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y° ;,
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r, p
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i
;
y
i
sy
ry' i
o;
R
J '<
1e
H.. .
o, ,. ;!
,.
planter.
im-
apples
pp
Grove.
in
were
Bylate
in
of cold
firmlyensconced in the westof Virginia.
g
The development
p
refrigerator
storage,
:
C :
new
industry.
Between
cars,
all aded the
1895
y<
4£./,'..:.. ;
E
v
s;"
y.,
nW`
k!
f
S p arklin g A pp
lf:::,.
aR
te
;
y,
4:
and 1900
V• ri
g
s
g
•
a
l
ceived rave reviews and was a
d
"
n
w
si;¢it':,.. ::
rif ,
H:
v
RYHY. .'
ine
7,;
yf:.:.
iy'
n
of the successful Tavern Foods
y
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Yid`. °%
iCr
px•.
x)'
rF
<:
y.
i
a
Y '
K
od:.
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is
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i
"
4'
v %
%
tfy<'>5 i h:;,:'`
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Tk
9',
y,
ry
w''...!:.;',;*;:
Chian Mountain
for
the
y
1- `sue:;' -.
p
Y Food Trade Product
Specialty
ry--
uNs
o
Award Competition.
p
w.
u%
3. :
r.
H `
Continued
back page)
on
range.
northwestern
to increase
Association
National
a. r.'.'
Fy,,
wl;°"',`
Outstanding
award in the 1992
Beverage
n
H
Linden Beverage owner Ben Lacy and director of
Debbie Hunter stand on the crest of
marketing
Freezeland Mountain, the beginning of the AppalaUnited States
their market
Virginia
Sparkling ciders are favorites with Colonial
liamsburg store and mail order customers.
began
Wil-
share.
apple
1
couldn'
t
x
producers
1;
f.
p ete with them and most Virginia
g
y
A",
producers turned to apple processing,
said Lacy.
y " M y father was a RhodesIR
r
com
Y.
scholar,
and traveling in Europe about
that time he had enjoyed
klin g
cider.
I
alwa
their
spar-
Y s had that sparkling
p
g
never
had the
in mymind, but
cider
g,
gtime
sprayand the foundingof Virgin. ia
uct."
gPolying,
technic Institute in 1872
rI. :..
sw. fr
S '.
the
and
century, settlers
had moved across the Piedmont
ernparts
b',., .`
s
nineteenth
and
H ;,
4
teenth century.
of caY The development
p
and railroads
boon to
nals
was
a
apples
."
,
y
s. <.,
rrot.
,
Orchard fruits were not widely cultivated for market until later in the nine-
the
F
f
finalist for the
another
pp
ryy; F<
Reproductions Program as part
5
Hiq"
x
Nathaniel
apples.
t;:::
x:
H
y,,:,"
i'.
R
z. :,
Y:
apples
other
pp
fruits primarilyfor their •uice
and as food for hogs. Some
g
,'....
r..
a"$
s'
marketingVirginia
:y,;,,
y;:
9.;..;
frill:.: :%!.' .
and
his orchard, at Carter' s
i ,'
y
k:<.
fin. '•`.:; ; `
From the beginning, Virgin-
the
private label the
for
resale through its
product
and the Williamsburg
stores
y,-,x-; '`-''^'
ss`,`: ;.' `
j>'
from
s:
v
,,.
%
. g, ; <
asked Linden Bev-
to
erage
u.
k!
Colonial Wil-
1991
In
liamsburg
b,
w
I;,.:-;-,
wheat, and
xi
t.;.
w;-,.
4R .° :;(,
cider
„
~
u,,:':.
i
a
iY
H9!:.
r
w:
n;
con-
Williamsburg
y'
Hwy`
Vir g inians p ressed from a pp les
allowed to ferment in da s
of such
w
the colonial taverns in the mid-
s:
i.>
an example
g
s
;.:
s
ci-
sa
1
to serve the all natural cider in
yam' ,,,.',
q,
t.:.: .<.:./;-'
;
qpr°.
de for
o
he
red
marketers
a;F„
;
million
cider
c
natural
a
in which
vinced Colonial
o
nia
u
k
k. ;
R. ,,;
produces
iansgrew
n
Alpenglow
` -.., :
like to quaff the cider that early
corn,
m
the governor' s award for best
new product in Virginia in 1983.
year.
p ortant crop,
m
y
v,
He grew
iY '
si-
moun-
carbonated, non- alcoholic
Burwell is
that describes
ry
r . ,
the
sparkling
Beverage
offer
e
p 1 a nt e r s did o
in local markets.
i'i,t/1"'`oi'
y,Y,
yj,..
der.der. Close your eyes and imagine what it would have been
gone b
7/
i<"
/
j,<<!:..
%
:..'.,..,'
f,
apple
ti///
/'
spar-
a word
at sunset and sunrise, and won
bottlingplant
out
churns
s<
r
Alpenglow,
cider
appears around the mountains
w.: ,.
that
a
6.,, /
i
z./
steel tanks
stainless
a modern
ode
H
ff
1//?'.<.
called
They
non- alcoholic
.
and the
and trucked down the
t a in to
%
I/
y:,;,
The pick-
season,
But
mountain.
ti/
HST...
cover
is squeezed
juice
apple
f /.
Y ,,, .;
h
trees. Apple tree
kling
y %"`$
y'. / ,
r'/
his kinshipto the land and the
new
to research and
F.
/
,
44
.,
r
s
s,:
,
y:
' ;_-
t
F `:
ry= : -;:;
I
:
y"
develop the prod-
Stepdaughter BetsyQuarles
time and the interest,
iir,,,,
so
b
5
had the
1980 Linden
k'
T:
::;
f ::.
sn
r
y
the
number
of fruit trees increased
by
100 1'
percent.
The boom
period
planted
period
of inflation
was
as
followed
by
a
businessmen
trees everywhere
and the price
of apples skyrocketed. The bubble burst
around 1920
and
apple
producers in
Production
Bevera g e was incorporated.
p
began in 1981• Lacyand stepson
George
p
g
from
all the equipment
p
ordered parts and made modifications
McIntyrebuilt
Y
along
1
the way. Although the first year' s
production fermented in the bottles,
with the help of a microbiologist they
F
a. n
y,
q
„,,,
g
w
5¢
T., ;
s;
Vir"!
q
"`
4' '
J
y
iA
r
;';
z
i,,,,,/,,,,
2.
46
�910- //
714
AUTHENTICITY
AND
SINCE 1936
QUALITY
New Publications
i i i,
b,,„,„*„„ i,„ „ „ „
s ochowning%
Whitley'
y,
ea":
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Three board books for toddlers will
r':::: :::::;.\¢:::;:;
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on Christmas enp anded chapter
p
a
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soon.
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iiisleassiiiiiiiiiii
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Colo
feature colorful illustrations in an easyto follow format p erfect for the y
youngest
g
thr
ee
bo
oks
areillustrated
s
a e
bso
well-known
.
B r ba r a G
Gibson,
bya
aartist
tin arev
All o f th ese p ubll caosaaa
it bl e
taltril° 4111::'''''.''''''''''''''''''''''''''''..------iI"," 1",
Colonial Animals,
and Count with the Cooper
P
of readers. All
ms""""
om,".","
events..
e
e
s
v'
e
w.
ex
i
x4 r.
ac .
h o lidand
a
s
from Halloween to weddings, and offers
the ..
fi , .
It offers thetwentieth-
ivin
century host or hostess year- round ideas
for entertainin g that inco
ei g-horate
teenth- centu - s le materials. The book
fit.'•
M
ift
mas
food '
Williamsburg!
Entertainin
Ideasfrom
W
g
debuts in October, just in time for Christ
I
r",*
y€
s''
from
r-':':—
through
WilliamsburgWholea
g Colonial
sale
at
804
220 7178.
New Moldings Designed for Standard
BuySmart;
BuyWilliamsburgCeilingHeights
Some sound decoratingadvice
offered to
of the
readers
Sure
article "
February/ March 1992 issue of
Decorating Remodeling that is worth
repeating here and to customers looking
in the
Things"
for smart buys in furniture. The
reminds
us
that your
ing important
Mitchell Owens,
customers
choices
says
that
mak-
writer,
take" financial
cour-
So he offers these tidbits of advice.
g
Sound Advice # 1: " A chea p sofa will
age."
ruin
a
great
room as
easily
as a,
cheap pair
of shoes ruins a great outfit.
Sound Advice# 2:" Even if you have to sit
for awhile, it' s better to
orange
crates
on
spend
p
than
on
on
ece of furniture
q uali'
roomful of cheap, temporary
Point
Inc. announced the ex-
pansion of its popular line of Williamsburg moldings and trims and now offers
models
in proportion to conventional
t4
ceiling heights.
Downsized
article
are
the
Focal
was
tailed
options
Randolph
but
authenticall
include
House,
de-
the, Peyton
Governors Palace
Cove Governor' s Palace Fretwork RatF. ,'{' `,"
leigh
g Tavern, and Nicolson House cornice moldings. All of the moldings were
chosen for reproduction from the build-
m
ings in Colonial Williamsburg.
moldin
s scales ofgallRepeat:#
No:
builders, designers, and
These additional
fer
architects,
4:"
r,
1
one
a
things."
Sound Advice# 3.• " Don' t
buy anything
the opportunity to enhance
the appearance of various size rooms in
remodelers
homes with different ceiling heights.
workin
Specifiers
p
g with the National
expecting to replace it later on. Get it right
Association
Home
Builders'
of
new
the first time, because there' s no gfin_
is$ t7 Raleigh' T
or 8 fool,€.
good
ter
reason
nine-
to buysomethingtwice."
Sound Advice# 4:"
best you
can
Buy the absolute
very
afford."
advice
for years to come. Suggest Baker Williamsburg for furniture with timeless
design and
excellence
in craftsmanship.
g.
foot standard for ceiling heights
A
r"
2-
t <
dt Y; air
and remodelers wanting to establish a
consistenc
selected with these pieces
in mind is sure to earn its keep
Furniture
of
j ,
with
y and flow of line in homes
of varying heights will
ceilings
1iiiii................----
welcome the options now available to
them.
Nicol- son' House
r
10
r
Fa;
r .:
rr,.x.; , '
Copies of large moldings from Colonial Williamsburg' s houses are
now
available
in
smaller
sizes
for today' s
standard
specifications.
�o
AUTHENTICITY
AND
SINCE 1936
QUALITY
Continued from page 4)
My
add
years
brother,
George,
the idea
Licensees Support Produ ct Ta
s
said
ago,"
had
Debbie
Hunter,
now
Williamsburg
marketing director for the family owned
business. In 1986, the juice of scu pp erblended to
was
nong grapes
the third
flavor.
vor
developed the
was
Finally,
grape and
with
next
apple
Distribution
and Hunter
year
by
coordinate
they do
a promotional tasting at a store, almost
that
whenever
some
bought
a case
Stevens
Linens
and
made
bag
a
of
and
alternative,"
our
combine
product
meets
says
their
and
the
that with something for
And
than that, its
more
evoke
a
sparkle
bit of Virginia'
a
s
product
turers
use
coordinat-
a
Flanary,
mar-
many items,
paper napkins, and
are
since
product
custom
information
samples
catalogs.
party
or gift that is different and festive."
taste
moldings,
showroom
to
orders
appears
and in
Licensees
tags include
Baker
and
on
manufaC-
who
do
use
Furniture,
Crummles, Claire Murray, D. R. Dimes,
Foreign
Advisory Service, Friedman
and
history.
riod
Lighting, Rowe Pottery,
liamsburg Pottery, Wedgwood,
Wiland
Virginia Metalcrafters.
results.
If you have any comments or
questions about
centuries.
that packaging. Other items, like fabric
Hunter,
needs
which
collections,
blankets, are already packaged and the
history of the antique resource is on
perfect holiday hostess
Kedron,
manufacturers will be notified of the
Williamsburg
like needlework,
bottle bags. The cider
Karastan,
lonial
ing hang
keting copywriter, "
gift for under ten dollars." I think that a
lot of people are looking for a nonalcoholic
to
Kormann,
Beginning this summer, products
will be randomly checked for tags and
tag," said Sara
and twelve
cider
Stieff, Mottahedeh, Palais Royal, Pe-
with the historic look of all
Not all products
introduced,
was
Kirk
the
matte
cover
Laughlin,
J. J.
Williamsburg products from the eighteenth- century, folk art, and other Co-
tieth
House on Merchants Square tasted the
in the year it
burgundy
Goodwin Weavers, Homer
in-
date from the seventeenth to the twen-
every customer walks out with at least
one bottle. When customers
at the Craft
product
have been changed to a
than glossy
rougeon
to increase
continues
says
tag
scupper-
juice.
inserting
formation
covers
Brothers Decorative Arts, Crown Crafts,
manufactur-
Williamsburg product
tags since 1990. Recently
rather
Virginia
a
burgundy
develop
licensed
have been printing and
ers
the fourth fla-
the North Carolina
blending
nong juice
Program
ices to the cider a few
g
mullin
information
Williamsburg product
please contact Ms.
Management
tags,
in the Product
Flanary
by
Office
calling( 804) 220- 7293.
Comments/ Suggestions
Comments and suggestions for making this
newsletter
more effective are welcome. If your
sales representatives would benefit from receiv-
ing this quarterly newsletter, please send names
and addresses to be added to our mailing list.
Write: Sara Flanary, Colonial Williamsburg Founelation, P. O. Box 1776,
1776,
ca11804- 220- 7293,
Williamsburg,
VA 23187-
or fax 804- 220- 7759.
1
and
egacme
and
.
are trademarks owned by The Colonial Williamsburg Foundation, reg. U.S. Pat. Off.
1993 by The Colonial Williamsburg
The Colonial
Williamsburg
Foundation
Product Management Department
P. O. Box 1776
Williamsburg,
Foundation
Bulk Rate
U. S. Postage
Paid
VA 23187- 1776
Williamsburg,
VA
Permit No. 7
Nonprofit
Org.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Licensed Manufacturers and Williamsburg Shops Newsletter
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1988-1993
Description
An account of the resource
<p>The <em>Licensed Manufacturers and Williamsburg Shops Newsletter</em> was produced by Colonial Williamsburg to keep vendors and other interested parties up to date on the latest products and news related to the Williamsburg Shops program. The Rockefeller Library holds what may be a complete run of twenty-one issues from 1988-1993. Licensed manufacturer refers to a company officially licensed by Colonial Williamsburg to produce reproduction antiques or historically inspired products that align with the mission and aesthetics of the Foundation. The Williamsburg Shops program was created to expand the reach of the sale of Colonial Williamsburg products by creating mini-Craft House stores within major metropolitan department stores. Articles in the newsletter primarily concern newly available products, but also can mention strategies for managing and promoting the Shops and significant Colonial Williamsburg news about buildings and programs.</p>
<p>Quarterly.</p>
Language
A language of the resource
English
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Williamsburg, vol. VI, no. 3, Summer 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
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PDF Text
Text
0
FALL 1993
Vol. VI, No. 4
AUTHENTIC:ITY AND QUALITY S NCE :93
.
.. .
A newsletter published by the Colonial Williamsburg Foundation for its Licensed Manufacturers and Williamsburg Shops
Mirror Fair BecomesLicensee
of two
r'.
The meticulously crafted frames of the Williamsburg repro-
first half of the eigh-
ductions combine the talents of skilled
British
ill,
mirrors
teenth
11
the Colonial
centu
ry,
now
Williamsburg
in
col-
lection, will be introduced at the fall
High Point
L`
u = _
c
1.;
g .
i"-
ture
r
--
new
The
furni-
by
Mirror
deal frame of
japanned
one
furniture
carvers,
. , .,,,
y.,s, r' f':'.
and
cabinetmakers,
y;,:`
best of
our
that
inproducts
son
beautiful,
are
to
soni.
labl
saida
tStevell
and ssalable,"
Cav
president of
Mirror
11
o,
continue
tional
including shells and a Prince of Wales
feathered plume.
Weplan
mirrors
to introduce
this
s
G
l;
two addi-
i..
p rin g and intend to
introductions
0.
r>>
1:,
4
as needs arise.
1''',:.1'. , :',•'.,:
i„,1.•' :,':.:
i1:
1.•:, 1:,.
A japanned looking glass will be reproduced by
line of tradi-
antique
that was made between
Ir1.:', 1.:,• .: ,:. :', !.,:1-.,;:'., :'.
0:.:::,.,.•,........,;
i,.;. 1,: ,
1725 and 1745.
i,• 11,
Williamsburg
s"
S
1,-.: :. . . . : -•. . '
i:.,:', .,•:
1'.::.
r' . ., :,'"•.i,::,•.,.., :i,,:.. :.:,,I'.':,,:
i''''',
Fair, based in New York, isf
Mirror Fair. The original, shown here, is a British
extensive
y
Fair. "
Drawing on
from Colonial Williamsburgg s
examples
p
vast library of antiques,
hope to
we
impact.
p
5
y
authen-
g old leaf over wood and relief desi g ns,
Mirror
f
ues
and techniques
methods
handed down from father to
bringtogetherproducts
with maximum
g
noted for its
y::
finishers. " We hope to incorporate the
lookingglass is decoratp
with
red
and
ed
Y ellow chinoiserie delookin gg lass features
other
The
signs.
g
reproduction
Si
mirrors.
markettic,
licensed man-
ufacturer
Fair.
tional
from the
eproductions
1i,:.„
1.., : .:, :!.: ;
ass,,..;
fir
Licenses
1
u,..„„,::....,,..... .
6„,
g
House
itlonii,.,::;„
4,03.1,,,: b:,:„.„:„:...„., .
Tr
g
t.:...„,,,,,,„.,‘„,„,:.,:„.,„,,,,
0:„:„,,:,:,,.. -,-_:,:.:
1-
i In
y
j
ten Willia
1 :.
t
House
4
p ;;
t°
m
sb ur
joins
was
a
eriod
priced
We realized
p
group.
g
demand among
f
g:,':,!.,'.:.,:. ,.',. :',.',: ',. :
owin
for competitive-
w 0 oden
accessories
rv .
and
a
i
occasional furniture,
i. ,'•:,. . . ;.:.„. . , . . ,.
y, ,;,
Fischer,
said Kris Fisc
group p roduct mana g er, and Tradition
House has done an excellent job of ro-
ing
and reasonably
The
ij!:' :!
includes
a
box
x
o
11on
1111:
h
stand
'
r:
cellarette,
tray,
shelf in two
V
j
trayon stand,
sizes
a
o
x;
Ten new pieces from Tradition House
will be inroduced
at High Point.
k
t
eca
con tinue d on back page)
lr
C
w,
at the fall High
introduction
Point furniture market
f
i: ' ' !:' ' :' ' . 1.- ' °
H
priced pieces.'
is;
f'
H
ducingan initial grouping
g
p g of interest-
r .
--
Tradition
roducts
Williamsburgcustomers
1
I.:,:....... --
the Williamsburglicensed.
manufacturers
there
i,„ „,„,„,:•.: .,„ :,:.,:„. .: •
I„.:,,
of its line of
With the introduction
�19ri14/
e-
1124/
e-
4'
AUTHENTICITY
AND
SINCE 1936
QUALITY
BakerIntroductions atHigh Poin
Baker
Furniture'
four
includes
ture items:
an
writingdesk,
and
a
fall introduction
s
upholstered
bed-
a
wingchair
or chair
a
table,
side
otio",..,::-.
p*
AiiiiiiitortNatuntiono- .,,,: \ i,
decided to use thesepieces to furnish
furni-
particularlyuseful
tti,,,:
smcgo*,,........ ,:,:,•• ,,
guest rooms in the colonial houses and
taverns
and Duke
alongFrancis
Gloucester
streets
in
o.
of
g;
:\ .,.. ,*::;.;; ::,,
_
i
small chest of drawers. Colonial
Williamsbur
g
s
designers
have
g
designs
should be es p eciall Y em p to Yg
alreadyable
bytoda Y s homeowner as well.
4
eighteenth century, is based on
mid- baroque period chair
r
p
,
r
a
r
y
r
1
r:-
figri*
V104"°""
:
54,4:
setts
Boston,
in
made
4i,.
fir,
likat,;.+.
a
y . '.
,.
.'
ram'
>:.\,
N \\
1
Massachu
ri
i
about00. The original
al
Y
eta
i•s from the large collection of
mid-baroque
,,
71":,:::,::
on.,:.,:.::!:•
Theupholstered wing chair,
h it o r
easychair
as it was called in the
w
\..
Williamsburg. Theinfillaiallk
period furnish
ngs
given toColonial Williriv
5.
r.
liamsburg by Miodrag
and
1.
0
8r.,
s•
o
Elizabeth
eth B
Blagojevich
n 1 977
agojevic '
y
g
The
ql.
1
iii,
1,
1' -
writing desk is based on a
rococo period table made in
North Carolina between 1760r
tenuated legs that terminate in claw-
drawers
and- ball feet.
size
an
was
built in
a
desirable small
in the late baroqstyle.
Final)
ue
Finally,,
the bed-
or
chair
interesting
side
table is based
Virginia
antique
made
the last quarter of the eighteenth
ry. It has
Media Mentions
The tavern
food line will be featured
The Schumacher Historic Reproduction Wallpaper book will be featured in
November
duction
1993
wallpapers
article
about
one
Baker' s WilliamsburgFurniture line
now
on
in
centu-
drawer and features at-
includes
niture,
forty- seven pieces of fur-
with pieces for the dining room,
room,
and bedroom, and a vari-
living
ety of accent pieces.
Mottahedeh Introduces New Pieces and
in the December 1993 issue of Country
Living.
a
at
and 1790. Based on an English
original
g
made
about 1740, the small chest of
repro-
in Southern Accents
magazine.
a
a
Promotes Dinnerware
Be sure not to miss Mottahedeh' s
promotion, which
takes place October 15 through
g November 25. With each purchase of four or
special
Thanksgiving
eight place settings of Duke of GloucesWoman s Daywill feature two cookie
cutters and the Stevens Linens Abbyter, Chelsea Bird, or Imperial
Blue china
p
Aldrich Rockefeller
Folk Art Center
will receive an accessory item
customers
Holiday Tree tea towel and pot holder
in thepattern. With fourplace settings
g
in its December 1993 issue.
five pieces each) of Duke of GloucesThe new Crown Crafts Williamsburg
terpurchasers receive a free shell dish•
William and Marypillow shams will be
with eight place settings they receive a
featured in a December/ Januaryift
g
pitcher. In the Chelsea Bird pattern, four
story in Home magazine.
A tabletop story in the December/
place settings( four pieces each) earns a
trumpet vase; a pair of trumpet vases
January issue of Brides magazine will
Mottahedeh' s. Imperial Blue
include
with eight place settings. Four
comes
dinnerware from the Williamsburg Resettings (
five pieces each) of Implace
productions Program.
erial
include
Blue
a scallo
p
p ed bowl;
The September 1993 issue of Colonial
with
eight
settings,
customers
replace
Homes included the Period Lighting handfour rimmed soup bowls.
ceive
held tin lantern from
a
t
x
r
1yc.
4
Q`
r
Williamsburg.
a
a, '
a
y
i
3
A,
4,
iv,(
z. a:
sa::°
r°
3`}'
At market this fall, Mottahedeh will
introduce
additional pieces
in the popular Duke of Gloucester pattern, based
a
platter from the service commissioned by William Henry, duke of
on
Gloucester, about 1770. A pair of shallow, lobed- edged dishes have been developed. The pair will retail for$ 100.
,
�sue
G• r,,,•,'._.-
9reffeira
..,.-
r...
_-,
AUTHENTICITY
Hall
in Octo-
reopens
g :
a
k..
na
..
AND
Bassett Hall and the Rockefellers in
When Bassett
_
Williamsburg
t.
r
4:'` `
it\.
SINCE 1936
QUALITY
7t"..., ,\
Y:
4
ber
will learn
visitors
a`
about the
more
r
! '
Mgt>
and what theydid in
Rockefellers
A
v .
1>i< `'
a
5i":
'.
F.
Z
ax:`„
a n
d
o
hn D. R o ck ee
f 1le r
was
.
D. Rockefeller,
nd the
e v er
;
r.
to discuss the
mac:
Hall
s °
4
>,
r
r:.,,>
f0
''
Yj'
s.
3' ke':..'
A
YM
w
a
ate,..
s,„',
xiUR"
i
a
A
a
i;
w
g.
Y``
x
W
fib''
t .\
"
itnt
c. v
.\? \'
II
COS'
v
te•,
w,
i$
F
3`
a.
ksb'
tip.'
ay ¢
r.
a' a` :'
a\.
r.
:::,:,,
irt
''
tis
A
``'<`` `,.:
4
It„
story, eighteenth- century frame home
focused on the furnishings and partic-
l is •
p_.`' ..
1 "" ''"
a
1`
l,
Colonel Philip Johnson is believed to have built Bassett Hall between 1753 and 1766, but the house is named for
Burwell Bassett, who bought the property about 1800 and owned it for nearly forty years. Abby Aldrich and John
ularl y the folk art collections of Abby
y
Aldrich Rockefeller. She and John D.
D. Rockefeller, Jr., bought and restored the house in the 1930s. It was bequeathed to the Colonial Williamsburg
Foundation in 1979 along with its furnishings and a 585- acre tract of rolling woodlands.
Jr., restored the house and
Rockefeller,
its
gardens in the
returned to the eclec-
expansive
They
tically decorated home
twice
four
time for the
at
weeks
their
With the
a
did
year for
a
to be and what the Rockefellers
came
they visited
when
said Lawrence
re-
will learn
of the
Al-
dinary
last
the
Abby
Folk Art Center
had the opportunity to shift
the interpretation
at Bassett Hall from
more
director of
visitors will follow an audio tour that
reception
to
center
and
film. " We
newsreels,
graphs,
see
extraorenter
photographs
view
will
mu-
visitor
people." Visitors will first
ductory
Williamsburg
people who knew the
Rockefellers to orient guests there. Then
about these
of the Rockefellers
we
folk art to how Colonial
Henry,
with
interviews
Williamsburg,"
Now, at Bassett Hall, the
seums."
lives•
expansion
drich Rockefeller
year,
":'..
enter-
Williamsburg
IBICi\
of
h.\::
,<,:,,,"::`
r
alike.
mainder
w
S'
a
a;``'
a :
Previous interpretations of thetwo-
six
aZ.,
„'
At
Williamsburg.
Rockefellers
the
NJ;.`^"
a..:,
,
a,
::\
xL .\.\.
of the
restoration
.:
:.
1.*:::,, e:',:kil::'•::':.:'::
t1',',
4'.•*"
*
met in the late
tamed dignitaries and
to
.•,,•;',
C.^
i-`.;\
great oak that
r.
JJr.,
old colonial capital in
mid- 1930s.
Mpg
iipatt:,
4-0,
i4ii:',* ii„
;,:
a.
planned
v,
i,,
..:.,
411,4 `.
end W. A. R. Goodwin
citizens
x.
i,-;,
Vr.tkt,':'
L!A'
k,: 2Zi::,,
24.4Z,001;':','
v?.
.
under
three- hundred- year- old
Bassett
a:.:
a"
i, ,
wasiN011itti'•,:,::;:''.,
Bassett Halls
•,,:,:
to them• It
1920s
y,.
t`'``
YR
li a m sbu r g sHall
d•
Bassett
nt to the
adjacent
Historic
Area)
sto
csec
al
John
z."
y.'
z
hadseveral
hColonial W it
houses,
a
Jr.
'
a."'
.'..".
\
3,
c::
\,:
S <'"
Williamsbur • g Although
g AbbyAldrich
R oc k e f e 11 e r
z
intro-
an
use
recordings,
photoand
will guide them outside,
house, and through the
parlor, bedrooms, and
then
outside
again
around the
living
dining
room,
room,
to the orangery,
or
teahouse."
Although John D. Rockefeller, Jr.,
his usual
had many philanthropies,
to create
was
an
agency and
himself
h'
from
mse
om a
rover
me.
project
' time.
At Williamsburg, however his ex eri-
pattern
hI
a;
71
AO
7-
1 ,
x
"
x
r
h
mac.\`
remove
ence
s
was
allynvo
a
a'
E:,
E
iiii,ig:f.-------,-:'"'"'''"'"'"—'—
the
r
Atiinvolvedd
x
v
o
R. Goodwin
Iwo
1;lk
'
was
p erson
theactivity here until
in
his death1960
:,.,,.:
,, .\„ ,,
ti \
pp osite. He
with1
The Reverend
n
W. A
rector of Bruton Parish
Church, had hoped that would be the
case when he first won Rockefeller over
z
41.
26re,.::'
ilt „:, , — '
2t:::r:' ,,,,:,..„,,,::',.:
',
to the support of his vision to restore
'
Laiiit •
Y'
the eighteenth- century town.
Even though the interpretation uses
a
more than furniture and objects to tell
M
u
lif
personalityof the residents of Bassett
Hall• " Visitors
1
a'
saw '
a. \ .
a„ `
D
°
moats'
x,Z,
w'
the story, these same objects reflect the
ro '.\\
V\\
..
gig.
a,
x:<;..
will
notice
the richly
texturedobject- presence presence of the hous e,"
said Henry. " The Rockefellers surrounded themselves with objects they
loved. Abby Rockefeller s more avant
The collection at Bassett Hall reflects the Rockefellers'
interest in collecting and living with objects they enjoyed.
1
�9reffe, /,
J8
AUTHENTICITY
AND
SINCE 1936
QUALITY
garde collectinghas received a lot of attention at Colonial Williamsburgover
the
but John was an avid collec
ears
for too."
interested in Chinese
and medieval
ceramics
rt. He
the buildin
the
o
f the
ecoe
collection
a
City
in
Uni
se n se
a
H all a r e
ca n
t h at
sa
most important
msbur
themselves,"
nd
collectin
mic
o n e
Rockefellers
at Willi
er
t
their tour with
an
and
an
their imprint on the
licensed
Williamsburg
including Baker
toward
y.
and
i'A
t ':!
'
Y'. .(,
'
y
v
fl'
,,
a6sn,'„.
;
o,
carets
a,
W
of Gloucester Street in
r
Fife and Drum
Cor
to A
s
a,
f•-(
1.-`
lk,:.____-_,-...
2
,—
41 ..)
ear in
117
yy
r
f
L
Sri:
r _ __
s
,, \=
o%.>.`
v
44,7,
y
p
Williamsburg'
one
of
our
s
Fife
visitors'
5
and
favor-
1,--^ _
s
of twelve marching groups
selected for the nationally televised
was
'
ar -
L
R
one
'
:?
s=
event from
a
total of
more
than three
E \-__
per`
i,
A16.''
f.•.>`;',,;;
J
vw !
/,
r.
hundred applicants.
x,
Philadelphia
9:.
I
The Fifes and Drums
d:
;'
M
y `;
Colonial
Z'
4,,,,. ,,
3" _/
i ; .,
as>.'i
a=.,
w:,
wits,,
Duke
ite and most memorable programs, will
perform in this year' s Macy' s Thanksgiving Day Parade in New York City. It
Hall.
o :.
q:>`;"
Sw. iy
A
4,
Williamsburg'
usually be seen marching down
Williamsburg, but they will be marching down Broadway on Thanksgiving Day.
can
r.,/:;,;:
r
4f'.'
k.-`':..' ''
R, ,: / :
4'::,::
1
r,
l!
4/.'
s> ';
f.'.
4 ;
Fife and Drum Corps
s
Drum Corps,
enjoyed entertaining
in the orangery with
the flower gardens and rolling woodlands.
k
n/ A .:`
:..,,,;
Colonial
Kohlberg
at Bassett
display
p Y
r'''''''''''';',*'''''''''';':,;<--'
1:;'''''';';:
7,
N
s , .,
110104t?'
s,
4004,:
4:::
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from the Rockefeller
and needlework
vista
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peaceful
admiration
AI:
continued.
Henry
the Rockefellers
tors will
o
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collections
the periods in the spring and fall
In these
A
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dining
gardens and orangery. The gardens feature flowers that would bloom during
room,
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at
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fill d with his
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even
of art includingthe
overflow
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next to the fam-
home in New York
it
taste and
conservative
articularl
was
had more
D. RockefellerJr.
John
traditional and
1987
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G
Williamsburg
represents
the
which
was
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sburg
t o r will b e w o r k in,.,:
g
with other consultants and staff in
consultin
Schumacher
g'
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bill of the Virginia
,
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S1eetmcin Svlendor
Fife and
cisco,
modern
and
c ur a
showrooms
in San Fran-
California, St. Louis,
Missouri,
Troy, Michigan, on a one- day sem-
State Garri-
inar that focuses
raised bya
more
information
on
bed han g ins
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the
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counterpart
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May
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Sleeping
in Splendor," call Mrs.
Gusler at 804- 220- 7526.
......
�91e.f4g,144®
AUTHENTICITY
Tool Exhibition Opens at DeWitt Wallace
Colonial
The
dation
Working
exhibition "
Wood in Eighteenth-
America"
January
on
liamsburg,
Century
14, 1994. The
ex-
hibit at the DeWitt Wallace Decorative
Arts
will
Gallery
and will feature
through
run
more
Six
Tools:
June
than 1, 500 eigh-
and early nineteenth- century
woodworking tools and related objects
teenth-
and
museums,
Loan
Museum
tools
gland;
family
of
the Winterthur
by
Kent,
the
by
En-
Dominy
Island, New York, from
Long
Samuel
the Guild-
in Rochester,
owned
pri-
include
exhibits
the Seaton tool chest from
hall
1995
other
collections.
and tools used
Museum;
of Sandwich, Massa-
Wing
from Old Sturbridge Village.
chusetts,
Gallery
from the holdings of Colonial Wil-
vate
SINCE 1936
QUALITY
Foun-
Williamsburg
the
opens
AND
tool kits
but little- known
important
other
included. Eighteenth- cen-
are
tury wooden products, tools recovered
through
graphic
archaeology, and related
and documentary materials
complete the exhibition.
Using woodworking tools as a case
study, the exhibition presents a view of
in America when hand
craftsmanship
tools
the primary
were
duction. The
means
exhibition
n
relationship
of prothe
explores
artisan,
tools, and the way he learned and went
about his work. Visitors will see how an
artisans tools influenced his products
and learn
1
of woodworkand
ufacturemarketing
mg tools. The wa s artisans acquired
o\ ,
Nil•
woodworking tool kits during
the eighteenth century will also be explored.
nsor
Colonial Williamsburg
t111.11
111,
S..
s,
:::>:
a
a.
a\...
..:.,.. ..,,.
.:.
...
.
..
..
symposium
s
os um
Y
on tools andtheir use
p
4concurrentwith>:..:
17r
may.;:..
...
Ma
1
1
Early
AmAmerican
meetingin
tea\..::•,..............:
sium
is
1994,
an
Industries
Williamsburg.
open
Association
The
s
m
o
to the public and E A I A
members. A softbound book about eighDo you
removed
five
this tool
recognize
that tool kits
shows
tools, plus
an
Baker has copied
chest?
assortment
of
inside
packaged
were
nails,
screws,
the
wooden
and
other
piece
as
a
silver
contained
that
chests
NEWStwig
off
its
newest
program
Bird in
store,
located in Newtown,
Hand,
vania.
Shops
Williamsburg
The
store'
s
and
early 1700s
building
was
used
as
a
tavern
through the eighteenth and into
nineteenth
in Hand" is
made
by
painted
on a
name "
Bird
swinging
sign
nineteenth-
Edward
Hicks.
Hohen,
formerly
Doylestown,
century neighbor
Owner Raine von
a
shop
Pennsylvania,
feature informal
ucts
The
centuries.
the
owner
in
plans to
Williamsburg prod-
in this historic location.
Virginia
Born and Bred
ton, Virginia, created
a
in
special
Lexingsign
to
top
to seventy-
the
bird
Williamsburg
This delightful
g
reproduced from an
was
it beneath the
for
and
and add
eaves
the
tells
customer
just
that her
how to
two short
Muresan
den in Saint Charles,
of
use
the
sentences!
Country
Missouri,
Williamsburg Shop
Gar-
reports
survived
the flood that closed down most of the
of the city. The shop was located
only one- quarter of a mile from the
rest
river,
but the
were
spared. There
the
published
woodworking tools will
in conjunction with the
store
building'
s
and its
was
merchandise
some
basement
damage
level, how-
Get Involved
Williamsburg licensed manufacturers
have been involved in
news
of your
Williamsburg
Shop by the November 15 deadline for
inclusion in the winter Williamsburg
Reproductions
Program
newsletter.
several
projects around Colonial Williamsburg
this summer and fall.
Baker Furniture sent designer Dan
Carrithurs to
Williamsburg
with Gail Burger,
product
to consult
manager,
and Margaret Pritchard, curator, on the
redecoration
of public rooms in the
Coke- Garrett House, residence of Co-
lonial
Williamsburg president Robert
and family.
Wilburn
More
than
one
hundred former
members of Colonial Williamsburg' s
Fife and Drum
ever.
Send in
WilliamsburgLicensees
a
handy perch." The sign sets
product' s Williamsburg origin
Phyllis
to
teenth- century
be
Williamsburg.
a
novel item in
Pennsyl-
dates to the
the
signssays,
s "
original excavated in
Hang
The
view
from fifteen
anywhere
beneath the
Bird Bottle
SHOP
s- eye
with
exhibition.
bottle. The
reffra
This bird'
hardware.
hang
welcomes
chest.
Corps returned to
Williamsburg for a reunion on July 31.
Williamsburg licensee Cooperman
Continued
on
back page)
�AND
AUTHENTICITY
continued
chest,
from
tea
page 1)
nest of tables,
chest,
Obituaries
and
canterbury. These very functional
pieces solve a variety of decorating
be used
The
zines.
near
small
period,
dining
in the
server
Founded in 1947,
operates
sylvania.
been
today from
foot
square-
an
factory
Furniture
important
Pennsylvania
died
M.
Lehr,
Philip
House
burg Shop
sixty- thousand-
have been
in Hanover,
Williamsburg Williamsburg
stores.
great
We
anticipation
the initial
High
craftsman-
ship.
Rosemary Brandau, manager of
Williamsburg' s historic
Colonial
well known in the
foodways
gust
area.
program,
died on Au-
15, 1993. She worked with Co-
lonial
Williamsburg' s colonial
tavern chefs and Williamsburg Reproductions Program food licens-
presi-
for genera-
instrumental in the development
ees in the development of authentic
and marketing of the
fence program.
and tasteful early recipes that extended Colonial Williamsburg' s ed-
president and
looking
forward with
to the introduction
of
was
Williamsburg
Richard Scofield, designer for
Period
are
products for
and interior design
died June 24, 1993. He
Inc.,
own-
many of whom
dealers for years. The
line we are developing
are
tions of early American
dent of Walpole Woodworkers,
House, said, " We
shops
design and a sensitivity to the tradi-
his father
III,
always with an eye for
manufacturing has
part of the southern
should become important
both the gift
was
Samuel D. DeForest
Penn-
Shops
our
collection,
fifty-
was
joined
Richmond, Virginia,
very pleased to establish this association with the Foundation and with the
Williamsburg
He
from an-
tiques in the Colonial Williamsburg
ed the firm in 1949. His Williams-
area
of Tradition
Jack
Interiors,
design business. His father found-
of fine craftsmanship.
er
of
in the retail furniture and interior
economy
is rich in the tradition
tions, and the
1993.
three. Thompson
maga-
room.
Tradition
a
July
Furniture
25,
sconces and chandeliers
Jr., president
officer
executive
Thompson
used for storing
function as a
can
cellarette,
in the
spirits
to hold
a chair
Thompson,
John
and chief
problems. For instance, the canterbury,
originally designed to hold music books,
can
SINCE 1936
QUALITY
in
(
Lighting
July.
Fixtures,
ucational
mission
to
visitors
and
food products customers.
Inc., died
He copied and developed
Continued from page 5)
Fifes and Drums
produced
commemo-
"
Tools:
Working
Wood in Eighteenth-
fifes and drumsticks for the event.
CenturyAmerica." The chair legs
g will
licensee D.
be used to illustrate the production capacity of tools used to turn wood. Dietz
Press is printing the tool show poster.
Colonial
Williamsburg
R. Dimes has contributed
turned
legs for the
chair
sixty- three
exhibition
offering at the fall market in
Comments/
Point."
Suggestions
Comments
newsletter
and.
The Colonial
Williamsburg
Foundation
Product Management Department
more
Sara
suggestions
effective
are
for making this
Write:
welcome.
Flanary, Colonial Williamsburg Founda1776, Williamsburg, VA 23187-
tion, P. O. Box
1776, or call 804- 220- 7293.
are trademarks owned by The Colonial Williamsburg Foundation, reg. U.S. Pat. Off.
1993 by The Colonial Williamsburg Foundation
Bulk Rate
U. S. Postage
Paid
P. O. Box 1776
Williamsburg,
and'. .
and
VA 23187- 1776
Williamsburg,
VA
Permit No. 7
Nonprofit
Org.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Licensed Manufacturers and Williamsburg Shops Newsletter
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1988-1993
Description
An account of the resource
<p>The <em>Licensed Manufacturers and Williamsburg Shops Newsletter</em> was produced by Colonial Williamsburg to keep vendors and other interested parties up to date on the latest products and news related to the Williamsburg Shops program. The Rockefeller Library holds what may be a complete run of twenty-one issues from 1988-1993. Licensed manufacturer refers to a company officially licensed by Colonial Williamsburg to produce reproduction antiques or historically inspired products that align with the mission and aesthetics of the Foundation. The Williamsburg Shops program was created to expand the reach of the sale of Colonial Williamsburg products by creating mini-Craft House stores within major metropolitan department stores. Articles in the newsletter primarily concern newly available products, but also can mention strategies for managing and promoting the Shops and significant Colonial Williamsburg news about buildings and programs.</p>
<p>Quarterly.</p>
Language
A language of the resource
English
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Williamsburg, vol. VI, no. 4, Fall 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
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A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 1, no. 6, January, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
https://d1y502jg6fpugt.cloudfront.net/45914/archive/files/00ab5a345edaeb3ad602bf4f53315b1e.pdf?Expires=1712793600&Signature=nYb2JH9pshFJPMtU1lgQAfn0QWNDVSIJI6ozNNUTdYLP2lV-gt8uXwiDtZHrnPoDdZlCau%7EIaiKmMX7YoxDjXGQo6vdYeWLM70NTQPwd3qV2EmoznbD0y3qAEUcwEk6eaMdM8hkTLGBtDNPU70jl8GLY9Aihn3jAbtNBtjHRRNlCqPzsWNluBKha6MaZL87e55J3KxCrdrRKXWjMQUmwggQM9akLWidGiqgq7H%7EgPDmEAULy62to9HIlEj4k330NHVSI03Kg3-RGQjMGAC3TCu3IqW6dfSl6TYkbboTij0UMLP%7Ec3VXPu4rhtAVFoha3jfaVytLYh0q%7EDMVAFXkI9w__&Key-Pair-Id=K6UGZS9ZTDSZM
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 1, no. 7, February, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 1, no. 8, March, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
https://d1y502jg6fpugt.cloudfront.net/45914/archive/files/4ed4137c6ce8b870536af10f0c2e5543.pdf?Expires=1712793600&Signature=XySjDJQ%7EpPS9UrEFDpKzbtY4MHM6bLDyng7H132uT%7Eqshzqv4jwxdUsHMIC3B-FvPKfoyACsdDnVoYhUW0ooDo1wB%7EYBzAivx603QGQezQk3wTdznjwSY03gv4q6RMz9rj95D5lvcI98jk6rsR2fsLvPKrSPeHg9WZ6OqBuMUkZXqdLA3LRkryWH8p53Yc1qhv0zQshVyHvWep2GhmJzGLPIi5RUZzSzfVoh-ujTMO-lgply4KeSsX0g8mHXRkSuo1nRuzRYRmsPDl2F6hB72A9CtGIf6%7ECN2RcEzxe-3%7E7U6UKXVEUWFgL7lJ6%7EKeQbMoGQQlhP966ivhcKnMkKTg__&Key-Pair-Id=K6UGZS9ZTDSZM
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 1, no. 9, April, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 1, no. 10, May, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 1, no. 11, June, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 1, no. 12, July, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundations
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 2, no. 1, August, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 2, no. 2, September, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains
Description
An account of the resource
<em>Broken Chains</em> was the departmental newsletter of the Department of African American Interpretation and Presentations (AAIP). Beginning with the first issue in August 1992, the Rockefeller Library holds all issues through January/February/March 1994. This may be the final issue or it may not be; it has been difficult to determine this from the record. The purpose of the AAIP newsletter was to distribute departmental news and historical information that would be of use to interpreters and to people interested in African American history and its interpretation at Colonial Williamsburg.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Broken Chains. Volume 2, no. 3, October, 1993
Creator
An entity primarily responsible for making the resource
Colonial Williamsburg Foundation. Department of African American Interpretation and Programming
Publisher
An entity responsible for making the resource available
Colonial Williamsburg Foundation
Date
A point or period of time associated with an event in the lifecycle of the resource
1993